Who Grabbed My Gorge

Tuesday 26 July 2011, 2:37 pm   ///////  

In January 2009, I wrote a very short (one page) Python poetry generator that creates a limitless nature poem each time it is run. I wrote this generator, “Taroko Gorge,” mostly at Taroko Gorge National Park in Taiwan, finishing it on the plane afterwards. I later ported it to JavaScript so that it could be easily run in a Web browser.

It seems the gorge goes ever ever on. The code from “Taroko Gorge” and the form it defines have been appropriated a few times. Here are five poetry generators that use the code from that project and replace my text with different, and often much more extensive, language:

“Tokyo Garage” by Scott Rettberg, 2009. [Output from "Tokyo Garage" read aloud by a pedantic machinima clown.]

“Gorge” by J. R. Carpenter, 2010. [Announcement of "Gorge."] [Output appears in J. R. Carpenter's GENERATION[S], Traumawien: 2010.]

“Along the Briny Beach” by J. R. Carpenter, 2011. [Announcement of "Along the Briny Beach."]

“Toy Garbage” by Talan Memmott, 2011.

“Yoko Engorged” by Eric Snodgrass. 2011. [Announcement of "Yoko Engorged."]

6 Comments »

  1. Wonderful! Gorge-ous! There’s this one as well: Whisper Wire: http://luckysoap.com/generations/whisperwire.html

    Comment by J. R. Carpenter — 2011-07-26 @ 3:19 pm
  2. Oops! I should have known I’d left something out. Thanks for that one, and for reminding me about it.

    Comment by Nick Montfort — 2011-07-26 @ 4:57 pm
  3. [...] poem uses Nick Montfort’s streamlined and nimble Taroko Gorge code (a JavaScript port of a poetry generator originally written as a 1k Python program). All I [...]

  4. [...] Montfort wrote the poetry generator Taroko Gorge in January 2009. Since then, others have appropriated his code and made their own “gorges.” As part of the experimental [...]

  5. Another remix of Taroko Gorge for the taking: Takei, George.

    Comment by Mark Sample — 2011-09-21 @ 3:21 pm
  6. [...] creation. Written in Python and ported into JavaScript for the web, it’s inspired a series of imitations (which Montfort hilariously strikes out in his hyperlinks to on the right margin of the [...]

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