Announcing Sea and Spar Between

Thursday 16 December 2010, 4:16 pm   //  

Just published in Dear Navigator 1:2/3 is a new poetry generator, Sea and Spar Between, by Nick Montfort and Stephanie Strickland.

This has been a major project of mine and Stephanie’s over the past year. We started seriously working on this project on December 15, 2009, when we met for the first of a few days in New York to discuss and start developing it. I thought it might take only a few days to complete – not a completely outrageous idea, since I have been working on tiny poetry generators such as “The Two” those in the ppg256 series, which were not time-consuming to produce. As you might guess, since it was just published today (on December 16, 2010), I was wrong about the time it would take. But, I am delighted that the project is appearing now in wonderful company in Dear Navigator, a beautiful and appropriately-named journal.

If memory serves, Stephanie and I met at Digital Arts and Culture ’99 in Atlanta. I remember the conversation we had about innovative literature soon afterwards at Limbo, a long-gone coffeehouse on Avenue A in New York. Stephanie offered her advice as I was putting together my application to the Boston University poetry program – one way in which she’s long been a mentor as well as a friend. We’ve served the Electronic Literature Organization together; I had the chance to collaborate with her in editing the Electronic Literature Collection, volume 1; and I’ve gotten to read with her and present in the same session at conferences many times over the years. Sea and Spar Between, though, is our first collaboration as poets.

We have a short statement about the project on the “How to Read Sea and Spar Between page; the text also appears on the page of Dear Navigator that introduces and links to the piece. I won’t quote from that page here, but I’ll mention that the generator produces a navigable space of stanzas and draws on the vocabulary of and our readings of Dickinson and Melville.

A few words about our collaboration on Sea and Spar Between: I sketched in code as the two of us worked together; we looked at and ran many intermediate versions as we figured out how we wanted to generate lines. I wrote the early versions of the stanza generator in Python, because I find that a better language to think and sketch in than JavaScript. Although I was the one who did the programming, Stephanie and I worked closely on all aspects of the project together: The strings that serve as data, the way lines are assembled, the way stanzas are assembled, the overall interface, and beyond. She and I were even working together to properly comment the code as the new issue of Dear Navigator was preparing for launch.

Speaking of that code, as you can see for yourself in the file seaspar.js, Sea and Spar Between is licensed under a free software license. As the license says, anyone may copy it, modify it, or make use of it in some other way in creating another project. I hope the project proves pleasing to interact with and read from on the Web and pleasing for those who wish to turn to the code.


  1. cool. . . .

    Comment by stephen ratcliffe — 2010-12-28 @ 10:49 am
  2. […] blurbs are difficult to discern at first glance. If you’re still confused, the third link, a blog post by one of the above authors, should be eminently […]

  3. In the two weeks since it’s been published, Sea and Spar Between has been in Silliman’s blog (with an excellent illustration), Harriet (the Poetry Foundation’s blog), Netartery, and The Huffington Post, and it looks like people are Twitching about it and that there’s some buzz in the Facesphere. If I’ve got that last part right.

    Comment by nick — 2011-01-01 @ 5:12 pm
  4. […] the piece was published in the Winter 2010 issue of Dear Navigator. A statement by Nick Montfort is here; more about Stephanie Strickland is here; instructions on how to read Sea and Spar Between are […]

  5. […] begin Sea and Spar Between, I’d urge you to read Montfort’s remarks on his blog found here. Finally, please note that the Funkhouser piece can be read or listened to. If you’d prefer […]

  6. […] as a generator that produces a navigable space of stanzas and draws from the vocabulary and their combined reading of Emily Dickinson and Herman Melville. This generative work thus creates poetic lines mixing words […]

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