ELO 2015 in Bergen: Call for Participation

Friday 19 September 2014, 12:37 am   ////  

Call for Participation

THE END(S) OF ELECTRONIC LITERATURE

The 2015 Electronic Literature Organization conference and festival will take place August 5-7th 2015. The conference will be hosted by the Bergen Electronic Literature research group at the University of Bergen, Norway with sessions at venues including the University of Bergen, Det Akademiske Kvarteret, the Bergen Public Library, the University of Bergen Arts library, and local arts venues. Bergen is Norway’s second-largest city, known as the gateway to the fjords, a festival city and cultural center with a lively and innovative arts scene.

DEADLINES

The deadline for submissions of research, workshop, and arts proposals is December 15, 2014.

CONFERENCE THEME

The theme of the 2015 Electronic Literature Organization conference and festival is “The End(s) of Electronic Literature.” This theme plays on several different meanings of “ends.” Topics the conference papers and works will explore include:

Is “electronic literature” a transitional term that will become obsolete as literary uses of computational media and devices become ubiquitous? If so, what comes after electronic literature?

We can also question in what sense electronic literature and digital writing practices are a means to an end. If so, what are the ends of electronic literature? What political, ideological, aesthetic, and commercial ends or purposes do works of electronic literature serve?

In recent years, projects such as the ELMCIP Electronic Literature Knowledge Base have sought to highlight the work of scholars and artists who have worked outside of the mainstream of electronic literature as it has developed as a field, for instance developing research collections based on Russian and Brazilian electronic literature. This conference will seek to shed further light on international communities and practices in electronic literature that have not been widely addressed in the critical literature of the field, those that are located at the “ends” or margins of critical discourse in the field.

Electronic literature is situated as an intermedial field of practice, between literature, computation, visual and performance art. The conference will seek to develop a better understanding of electronic literature’s boundaries and relations with other academic disciplines and artistic practices.

As a laboratory for future literary forms, the field of electronic literature must count the youngest readers among its most significant group of end-users. One strand of this conference will focus specifically on digital reading experiences made for children.

RESEARCH PROGRAM

For the conference research program we welcome contributions that address the conference themes. Most proposals will likely describe a scholarly presentation suitable for delivery in about 20 minutes, with time for questions. However we also welcome propsals for other forms of talks. At the time of proposal submission, authors will asked identify one of following presentation formats:

Paper (20 minute presentation): a presentation of a single by one or more paper by one or more authors (500 word abstract)

Panel (75 minutes): a proposal for a complete panel including separate papers on the same general topic (250 word overview plus 3-4 500 word abstracts).

Roundtable (1 hour): a group presentation of a particular topic emphasizing free-flowing discussion and audience interaction (500 word abstract).

Lightning talk (5 minutes): a short paper for a session focused on the question “What comes after electronic literature?” (250 word abstract).

Proposers must attend the conference. Speakers may not present in more than two sessions.

Presentations may include elements of demonstration or performance, as part of a discussion that goes beyond the work itself. With this stipulation, proposers are welcome to address their own work.

Submissions for the research program will be accepted from September 15th-December 15th, 2014 on Easychair: https://easychair.org/conferences/?conf=elo2015

Proposals will be peer-reviewed by the Research Program Committee. Papers will be accepted on the basis of abstracts. Although we will not require, we will encourage authors of papers accepted for the conference to make full-text versions of their papers available on the conference site prior to the conference. Authors of selected full paper submissions may be invited to contribute to a book or special issue of a journal to be published shortly after the conference. This publication opportunity will not be available to authors who do not upload their full-text papers.

WORKSHOP PROGRAM

We welcome proposals for pre-conference workshops to take place on Tuesday, August 4th at the University of Bergen.

Workshop sessions are focused on hands-on group work on a given project. For instance, working with a particular platform to learn how to use it to create works of e-lit, documenting work in a given database, sharing pedagogical models, curating electronic literature, etc. Workshops sessions are generally half-day (3 hour) or full-day (6 hour) sessions. Proposals will be reviewed by the Workshop Program Committee and selected on the basis of their value to the e-lit community and available facilities to accommodate them.

Submissions for the workshop program will be accepted from September 15th-December 15th, 2014 on Easychair: https://easychair.org/conferences/?conf=elo2015

ARTS PROGRAM

The Arts Program provides an occasion for juried review, and extended display, performance, and presentation, of original works.

The Committee especially welcomes submissions from artists who are new to electronic literature or who are in the beginning stages of their e-literary artistic production.

The Arts program will feature several exhibitions and a performance program that coheres with the conference themes. Submissions are being accepted for the following parts of the exhibition and performance program:

Hybridity and Synesthesia: Beyond Peripheries of Form and Consciousness This aspect of the program will emphasize works, particularly installations, that push at the edges of literature and other forms, and that appeal to other aspects of the sensorium than those we typically associate with reading. Works for example that involve haptic sensation, touch-based interactivity, innovative audio elements, interactive images, or locative technologies.

Interventions: Engaging the Body Politic This exhibition will feature works that engage with contemporary cultural discourse and political reality, challenging audiences to consider digital artifacts and practices that reflect and intervene in matters of the environment, social justice, and our relation to the habitus.

Decentering: Global Electronic Literature While there are strong centers of activity in electronic literature in North America and Western Europe, innovations in digital textuality are also taking place in Eastern Europe and in the Southern hemisphere. This exhibition will focus on these lesser-known phenomena.

Kid-E-Lit: Digital Narratives for the Young The first generation of digital natives is finding a plethora of apps and interactive digital narratives made for their iPads and computers, perhaps learning how to think in a new digital vernacular. This exhibition will focus on innovations in digital reading experiences for children.

Screening Room: E-Lit Film Festival The first ELO film festival will feature films that have been produced recently about electronic literature and related practices, and will also include screenings of types of digital literature that benefit from sustained watching, such as poetry generators and kinetic poetry.

End(s) of Electronic Literature Performances and Readings This aspect of the program will feature live readings and performances of works of electronic literature. Authors are encouraged to think broadly about modes of performance, ranging from traditional readings to more theatrical styles of presentation, and to consider opportunities for site-specific interventions in public space.

Submissions for above parts of the Arts program will be accepted from September 15th-December 15th on Easychair: https://easychair.org/conferences/?conf=elo2015

ELC3 Preview Exhibition

Volume 1 (2006) and Volume 2 (2011) of the Electronic Literature Collection have been influential anthologies that helped shape the field. Volume 3 (2016) is now open for submissions. This exhibition will feature selected works from the latest instantiation of this important publication. The editors of ELC3 will curate this selection. To submit work for the ELC3, see: http://eliterature.org/2014/08/announcing-the-elc3 (ELC3 submission deadline Nov. 5, 2014)

Selections will be made via a two-step jury review process. Members of the arts program committee will first review submissions, and then curators for each track of the program will select works from among those ranked most positively by the committee. Final selections will depend on available resources and constraints of individual venues.

See Submission Guidelines for further details.

ORGANIZATION

Conference Chair: Scott Rettberg Research Program Chair: Jill Walker Rettberg Arts Program Chair: Roderick Coover Research Program Committee: Espen Aarseth, Daniel Apollon, Sandy Baldwin, Laura Borras Castanyer, Yra van Dijk, Maria Engberg, Nina Goga, Dene Grigar, Davin Heckman, Raine Koskimaa, Nick Montfort, Søren Pold, Øyvind Prytz, Hans Kristian Rustad, Jessica Pressman, Eric Dean Rasmussen, Scott Rettberg, Alexandra Saemmer, and Joseph Tabbi. Workshop Program Committee: Deena Larsen, Marjorie C. Luesebrink, and Patricia Tomaszek. Arts Program Committee: Simon Biggs, Philippe Bootz, Serge Bouchardon, Kathi Inman Berens, JR Carpenter, Mark Daniels, Anne Marthe Dyvi, Natalia Fedorova, Leonardo Flores, Chris Funkhouser, Dene Grigar, Claudia Kozak, Talan Memmott, Maria Mencia, Judd Morrissey, Scott Rettberg, Stephanie Strickland, Rui Torres, Michelle Teran, and Jeremy Welsh.

PLEASE CIRCULATE

If you know of friends, colleagues, or organizations not aware of ELO or this conference, please feel free to circulate this Call. A PDF version is available.

Patently Absurd

Monday 15 September 2014, 11:50 pm   /////  

Sam Lavigne has an excellent text-generating, or at least -transforming, system that produces patent applications based on source texts. See, for instance, the one generated using Kafka’s “The Hunger Artist.” A full explanation of the code is provided on the page.

Updated 10:01 — Time Still Ticks

Tuesday 9 September 2014, 1:15 am   ////  

Lance Olsen and Tim Guthrie have updated their classic and palindromically-titled electronic literature work, 10:01.

This piece was included in the first Electronic Literature Collection and the first edition can still be seen there. Since it offers links out to the Web, and some of these became stale since the piece was first published in 2005, the prolific and edgy experimental writer Olsen and developer Guthrie have revised the piece for the Web for 2014, also reworking a few other elements. One is still able to select among movie patrons to read their perspectives. The piece is a companion to the print-novel version of 10:01, published by Chiasmus in 2005.

I cannot explain how apropos it is that I blog about this after returning from an AMC theater.

The audience is listening! Check it out.

More Human to Open September 12

Tuesday 9 September 2014, 12:54 am   ////////  

An upcoming exhibit, a group show here in town, features a work of mine…


Collision21: More Human

The exhibition Collision21: More Human will be at the Boston Cyberarts Gallery September 13-October 26, 2014, with an opening on Friday, September 12th from 6 to 9pm. This is a group show dealing with two closely-related concepts: human self-modification and the human modification of our environment. Formed by artists and technologists, the COLLISIONcollective is premised on the sometimes abrupt intersection between art and technology.   

Art Technology New England (ATNE) will be hosting a salon which will feature COLLISIONcollective artists from this exhibition discussing their works and the show. The salon will be held on Wednesday, September 24th at 7:30pm at the Boston Cyberarts Gallery. The gallery is located at 141 Green Street in Jamaica Plain (inside the Green St T Station on the Orange Line). The salon is free, but please register for it by emailing info@atne.org.

Artists Include

Matt Brand, Ben Bray, Alicia Eggert, Joseph Farbrook, Antony Flackett, Rob Gonsalves, Hwayong Jung, Gloria King Merritt, Georgina Lewis, Robin Lohrey, Mark Millstein, Nick Montfort, Andrew Neumann, Sarah Rushford, Fito Segrera, John Slepian, Sophia Sobers


My piece in the show is “From the Tables of My Memorie,” documented at nickm.com. It’s an interactive video installation.

Call for “Textual Machines” Papers

Thursday 4 September 2014, 12:13 am   ///////  

Here’s a conference coming up in April, with a January 1 deadline:


International Symposium

“Textual Machines”

April 18, 2015

The University of Georgia

Athens, GA

Keynote speakers

  • Janet MURRAY, Professor at the School of Literature, Media and Communication at the Georgia Institute of Technology and interaction designer.

  • Serge BOUCHARDON, Professor at the University of Technology of Compiegne and author of interactive fictions.

Themes and topics

“Textual Machines” is an international symposium exploring literary objects that produce texts through the material interaction with mechanical devices or procedures. We define “textual machines” as a perspective on literature and book objects where text is “a mechanical device for the production and consumption of verbal signs” (Espen J. Aarseth). From the symposium’s perspective, textual machines are not limited to a specific media or epoch, and include literary objects ranging from early modern movable books, to modern pop-up books, artist’s books, game books, concrete poetry, combinatory literature, electronic literature and interactive fictions. A distinctive feature of textual machines is that they invite readers to traverse text through the non-trivial manipulation of mechanistic devices or procedures: by navigating through hyperlinks, footnotes, marginalia or other semiotic cues, or by answering to configurational, exploratory or writing prompts.

Possible areas of inquiry include, but are not limited to:  

  • Reading textual machines. What common reading functions are shared by textual machines? How do readers navigate, maneuver, explore, configure, probe, play or collate textual machines and their outcomes? What theoretical concepts and analytical tools are best suited to describe the textuality of such objects? How can readings of such objects be recorded, shared, visualized and taught?

  • Situating textual machines. Beyond the cultural split between analog and digital media, how do the mechanics and affordances of textual machines relate to one another? What communities of readers and authors produce and perform textual machines?

  • Preserving textual machines. What can media archaeology labs, museums and rare book collections learn from one another in the process of preserving, curating and making textual machines accessible?

The Symposium “Textual Machines” will take place on April 18, 2015 at the Hargrett Rare Book & Manuscript Library at the University of Georgia, Athens, Ga. In parallel to the symposium, the Main Library of the University of Georgia will be hosting the “Textual Machines” exhibit, featuring works of electronic literature from the Digital Arts Library and rare books from the Hargrett Hargrett Rare Book & Manuscript Library.

Selection Process

Proposals are expected by January 1, 2015. They must be sent as an abstract of 800 – 1,000 words (excluding bibliography). Each proposal must indicate the author’s full name, status and institutional affiliation. Proposals should be sent to baille@uga.edu.

Texto Digital Seeks Papers (in Many Languages)

A correspondent in Brazil sends news of a new call for papers in the journal Texto Digital. The recent issues have been almost entirely in Portuguese, but the journal is reaching out and seeking submissions in several languages. I think you can tell from the title (even if your Portuguese is a bit rusty) that this publication focuses on some very Post Position (and Grand Texto Auto) sorts of topics. Here’s the call:


Texto Digital is a peer-reviewed electronic academic journal, published twice annually in June and December by the Center for Research in Informatics, Literature and Linguistics – NuPILL (http://www.nupill.org/), linked to the Postgraduate Program in Literature, the Department of Vernacular Language and Literatures and the Center of Communication and Expression at the Federal University of Santa Catarina (UFSC), Brazil.

Texto Digital publishes original articles in Portuguese, English, Spanish, French, Italian and Catalan which discuss several theoretical implications related to the texts created/inserted in electronic and digital media.

Interdisciplinary by nature and range, as implied in its title with the words “text” and “digital”, the journal embraces the fields of Literature, Linguistics, Education, Arts, Computing and others, in their relation to the digital medium, yet without privileging any specific critical approach or methodology.

In addition to the Articles Section, Texto Digital presents specific sections destined on publishing digital works of art, as well as interviews with recognized researchers and / or digital artists.

Once submitted, all articles that meet the general scope of the journal and its guidelines will be considered for peer-review publication, even in case of issues that may favor some particular subject-matter.

CALL FOR PAPERS – TEXTO DIGITAL

Texto Digital, the electronic journal published by the Center for Research in Informatics, Literature and Linguistics (NuPILL) at the Federal University of Santa Catarina (UFSC), Brazil, informs that submissions for articles are open until October 15th, 2014.

We accept papers that analyse the relationships of digital media with one or more of the following subjects: Literature, teaching processes (reading and writing in particular, but not restricted to), language studies and arts in general. Accepted papers will be published in our our December issue (n.2/2014).

Submissions for our journal are open on a continuous flow basis since September 1st, 2014, for academic papers that fit its scope. Our publication standards and guidelines are available at:. https://periodicos.ufsc.br/index.php/textodigital/about/submissions#authorGuidelines. Only papers in accordance with such criteria will be accepted.

The Call is Out for Electronic Literature Collection 3

Tuesday 5 August 2014, 4:03 pm   /////  

The call for submission for the Electronic Literature Collection volume 3 has been posted. If you do digital work that has one or more literary aspects (even if it’s more often called art or a game), in any language, please check it out. The collective is an excellent group and the direction for this collection is an exciting one.

Half of My Two Cents on E-Lit

Friday 1 August 2014, 3:52 pm   ////  

Long ago (well, at the end of 2012) I was asked by .Cent magazine, a free-to-read, nicely designed online multimedia publication out of London, for a few comments about my work and my approach to electronic literature. Amazingly, having recently unearthed my responses, I find that they are still relevant! You can read my answers and the rest of the issue in its full splendor, but, very belatedly, I’ll offer my response here as well:

I see electronic literature as a something beyond a genre or a literary movement: It’s an argument that literary art and literary experience have a place in our digital environment alongside the many other ways that networked computing is used. Those of us working in electronic literature are demonstrating that we can have poetic, imaginative, narrative, conceptual, and other sorts of work and experiences online, in addition to commercial, communication, and gaming experiences. We don’t have to share an aesthetic or hold similar political ideas in order to make this argument together, because we’re arguing for something fundamental to future work: The chance to develop literature (of any sort) using the capabilities of the computer and the network.

My own focus is on projects that engage collaboration and computation to bring us into a new, disoriented, and potentially productive relationship to the computer and the world. A recent project that is both highly collaborative and highly computational is Sea and Spar Between, a poetry generator Stephanie Strickland and I developed. In it, we bring together words from the vocabulary of Melville and Dickinson, present a sea of textual data that is far beyond the human ability to read but which can be understood in some ways, and suggest a collaborative, computational, and literary-historical perspective on the natural world. In my “solo career” I have written very short programs such as those in the ppg256 series and those in the set Concrete Perl, to investigate, poetically, how computation and a particular programming language hook into the English language. Some of my other collaborative e-lit projects are Implementation with Scott Rettberg and Three Rails Live with Scott and Roderick Coover, both of these dealing with urban and global experiences buy cutting up narrative forms in new ways.

Techsty #9, with Sea and Spar Between in Polish

techstyExciting news for Polish-readers (and, I think, others): The new issue of Techsty, number 9, is out. You might think that a “Techsty” is just a place where infopigs like me live, but it’s actually a long-running site (since 2001) on digital literature, with an esteemed journal that has been published since 2003.

The current issue includes translations of articles by Robert Coover and Brain McHale, an article by Seweryna Wysłouch, and a special section on an audacious project. This is the translation of Sea and Spar Between, by Nick Montfort and Stephanie Strickland, which is a fairly extensive special-purpose poetry generator that is fair entwined with the English language (as well the specific authors from whom it draws: Emily Dickinson and Herman Melville). Not only did the two translators tackle the difficult and in fact unprecedented task of translating the underlying system to Polish, so that the program generates stanzas in that language; they also translated our comments from the “cut to fit the toolspun course” edition of the work. I hope this will invite remixing and code re-use in Polish as well as helping to improve the understanding of our project and our collaboration. Monika Górska-Olesińska also has an article on Stephanie Strickland’s work, with a photo of Stephanie reading just a few days ago at the ELO conference.

Piotr Marecki also translated my short generator Lede for the issue. (Amusingly enough, the translated title is the more conventional and seemingly more properly-spelled English word “Lead.”) It has some aspects of cultural translation – absurd figures from Polish culture are substituted for some of the ones I included from my American perspective.

The only mistake I see in the Sea and Spar Between items is that it’s hard (for me, at least, not being a reader of the language) to determine who did the translation of both the poem generator and the comments: Monika Górska-Olesińska and Mariusz Pisarski, who are attributed atop the commented code but not, for instance, here on the Polish “How to Read” page. In digital literature, there generally is no system for buying rights and recruiting and paying translators for their work – just as there is no system for doing this for authors. So the least we can do is to properly credit those who work to develop new programs and cybertexts, whether they are based on earlier ones in other languages or not.

The final article I’ll note is an interview, I think one that’s very kind to me and my lab, The Trope Tank, by Piotr Marecki, who was a postdoc here this past year. Here’s what the Googly Intelligence translates this interview as.

There’s a great deal more in the issue, and I suggest those interested in digital literature, even if not literate in Polish, take at least a quick look using your favorite “translation goggles.” There are some good English-language journals on electronic literature, but I think English-speakers could learn a good deal from this effort, which publishes critical writing (including some in translation) and creative work and also undertakes extensive translation projects.

Two Kinds of Bots

Monday 30 June 2014, 10:35 pm   ////  

Following up the excellent ELO conference, Mark Sample offers a post on “Closed Bots and Green Bots” which divides bots in a very compelling, interesting, and productive way.

Slice of Trope

Wednesday 30 April 2014, 2:15 pm   //////  

Slice of MIT, an MIT alumni publication, has an article on my work with poetry and computation. It’s by Kate Hoagland, was written for National Poetry Month, and is an excellent short discussion of several recent projects and some themes in my work and that of my lab, The Trope Tank.

Scott Rettberg in Purple Blurb this Monday

Friday 25 April 2014, 4:57 pm   ////////  

Purple Blurb

MIT, room 14E-310

Monday 4/28, 5:30pm

Free and open to the public, no reservation required

Scott Rettberg

Scott RettbergThis Monday (2014-04-28) Purple Blurb is proud to host a screening and discussion of narrative video art work done in collaboration with Roderick Coover, including The Last Volcano, Cats and Rats, Three Rails Live, and Toxicity. (The last two are combinatory pieces; Three Rails Live is a collaboration between Coover, Rettberg, and Nick Montfort.) These pieces deal with personal and global catastrophes and are written across languages, with one of the voices in Cats and Rats in (subtitled) Norwegian. They continue Rettberg’s work on novel-length electronic literature projects and his frequent collaboration with others.

Scott Rettberg is Professor of Digital Culture in the department of Linguistic, Literary, and Aesthetic studies at the University of Bergen, Norway. Rettberg is the project leader of ELMCIP (Electronic Literature as a Model of Creativity and Innovation in Practice), a HERA-funded collaborative research project, and a founder of the Electronic Literature Organization. Rettberg is the author or coauthor of novel-length works of electronic literature, combinatory poetry, and films including The Unknown, Kind of Blue, Implementation, Frequency, Three Rails Live, and Toxicity. His creative work has been exhibited online and at art venues including the Chemical Heritage Foundation Museum, Palazzo dell Arti Napoli, Beall Center, the Slought Foundation, and The Krannert Art Museum.

More about Purple Blurb

ELO Awards: Call for Nominations

Thursday 24 April 2014, 7:29 pm   //////  

The Electronic Literature Organization is delighted to announce two awards to be given this summer; nominations are open now.

The ELO is proud to announce the ”The N. Katherine Hayles Award for Criticism of Electronic Literature” and “The Robert Coover Award for a Work of Electronic Literature.” Below is information including guidelines for submissions for each.

http://eliterature.org/2014/04/announcing-elo-prizes-for-best-literary-and-critical-works/

“The N. Katherine Hayles Award for Criticism of Electronic Literature”

“The N. Katherine Hayles Award for Criticism of Electronic Literature” is an award given for the best work of criticism, of any length, on the topic of electronic literature. Bestowed by the Electronic Literature Organization and funded through a generous donation from N. Katherine Hayles and others, this $1000 annual prize aims to recognize excellence in the field. The prize comes with a plaque showing the name of the winner and an acknowledgement of the achievement, and a one-year membership in the Electronic Literature Organization at the Associate Level.

We invite critical works of any length. Submissions must follow these guidelines:

  1. This is an open submission. Self nominations and nominations are both welcome. Membership in the Electronic Literature Organization is not required.

  2. There is no cost involved in nominations. This is a free and open award aimed at rewarding excellence.

  3. ELO Board Members serving their term of office on the Board are ineligible for nomination for the award. Members of the Jury are also not allowed to be nominated for the award.

  4. Three finalists for the award will be selected by a jury of specialists in electronic literature; N. Katherine Hayles will choose the winner from among the finalists.

  5. Because of the nature of online publishing, it is not possible to conduct a blind review of the submissions; the jury will be responsible for fair assessment of the work.

  6. Those nominated may only have one work considered for the prize. In the event that several works are identified for a nominee, the nominee will choose the work that he or she wishes to be juried.

  7. All works must have already been published or made available to the public within 18 months, no earlier than December 2012.

  8. All print articles must be submitted in .pdf format. Books can be sent either in .pdf format or in print format. Online articles should be submitted as a link to an online site.

  9. Nominations by self or others must include a 250-word explanation of the work’s impact in the field. The winner selected for the prize must also include a professional bio and a headshot or avatar.

  10. All digital materials should be emailed to elo.hayles.award@gmail.com by May 15, 2014; three copies of the book should be mailed to Dr. Dene Grigar, Creative Media & Digital Culture, Washington State University Vancouver, 14204 NE Salmon Creek Ave., Vancouver, WA 98686 by May 15, 2014. Those making the nomination or the nominees themselves are responsible for mailing materials for jurying. Print materials will be returned via a self-addressed mailer.

  11. Nominees and the winner retain all rights to their works. If copyright allows, ELO will be given permission to share the work or portions of it on the award webpage. Journals and presses that have published the winning work will be acknowledged on the award webpage.

  12. The winner is not expected to attend the ELO conference banquet. The award will be mailed to the winner.

Timeline

Call for Nominations: April 15-May 10

Jury Deliberations: May 15-June 10

Award Announcement: ELO Conference Banquet

For more information, contact Dr. Dene Grigar, President, Electronic Literature Organization: “dgrigar” at mac.com.

“The Robert Coover Award for a Work of Electronic Literature”

“The Robert Coover Award for a Work of Electronic Literature” is an award given for the best work of electronic literature of any length or genre. Bestowed by the Electronic Literature Organization and funded through a generous donation from supporters and members of the ELO, this $1000 annual prize aims to recognize creative excellence. The prize comes with a plaque showing the name of the winner and an acknowledgement of the achievement, and a one-year membership in the Electronic Literature Organization at the Associate Level.

We invite critical works of any length and genre. Submissions must follow these guidelines:

  1. This is an open submission. Self nominations and nominations are both welcome. Membership in the Electronic Literature Organization is not required.

  2. There is no cost involved in nominations. This is a free and open award aimed at rewarding excellence.

  3. ELO Board Members serving their term of office on the Board are ineligible for nomination for the award. Members of the Jury are also not allowed to be nominated for the award.

  4. Three finalists for the award will be selected by a jury of specialists in electronic literature; Robert Coover or a representative of his will choose the winner from among the finalists.

  5. Because of the nature of online publishing, it is not possible to conduct a blind review of the submissions; the jury will be responsible for fair assessment of the work.

  6. Those nominated may only have one work considered for the prize. In the event that several works are identified for a nominee, the nominee will choose the work that he or she wishes to be juried.

  7. All works must have already been published or made available to the public within 18 months, no earlier than December 2012.

  8. Works should be submitted either as a link to an online site or in the case of non-web work, available via Dropbox or sent as a CD/DVD or flash drive.

  9. Nominations by self or others must include a 250-word explanation of the work’s impact in the field. The winner selected for the prize must also include a professional bio and a headshot or avatar.

  10. Links to the digital materials or to Dropbox should be emailed to elo.coover.award@gmail.com by May 15, 2014; three copies of the CD/DVDs and flash drives should be mailed to Dr. Dene Grigar, Creative Media & Digital Culture, Washington State University Vancouver, 14204 NE Salmon Creek Ave., Vancouver, WA 98686 by May 15, 2014. Those making the nomination or the nominees themselves are responsible for mailing materials for jurying. Physical materials will be returned via a self-addressed mailer.

  11. Nominees and the winner retain all rights to their works. If copyright allows, ELO will be given permission to share the work or portions of it on the award webpage. Journals and presses that have published the winning work will be acknowledged on the award webpage.

  12. The winner is not expected to attend the ELO conference banquet. The award will be mailed to the winner.

Timeline

Call for Nominations: April 19-May 10

Jury Deliberations: May 15-June 10

Award Announcement: ELO Conference Banquet

For more information, contact Dr. Dene Grigar, President, Electronic Literature Organization: “dgrigar” at mac.com.

New E-Lit Authors Welcomed to ELO 2014

Thursday 23 January 2014, 10:33 am   ////  

Those who have recently started developing electronic literature are welcomed to apply to have work in the Gallery of E-Literature First Encounters. Feb 15 is the deadline; the gallery will be at the “Hold the Light” conference, ELO 2014, in Milwaukee.

The Firewall .. is Us!

Wednesday 11 December 2013, 7:06 pm   //////  

Slavoj Žižek did not write a twine game, but Alan DeNiro did. It’s called We Are the Firewall, and it has more rodents than Rat Chaos. It twists and communicates with the whole category of Twine games quite well, and the writing is quite compelling, and it’s well worth reading/solving.

DeNiro, by the way, is the author of (in addition to short stories and novels) the uncanny interactive fiction Deadline Enchanter, which I also recommend.

ELO Conference Deadline on Dec 15

Thursday 5 December 2013, 9:13 am   ////  

The next Electronic Literature Organization conference, to take place in Milwaukee on June 19-21, has just extended its deadline for submission to December 15. Media Art Show proposals and abstracts for academic talks are both welcome.

E-Lit in the LoC: A Writeup

Thursday 25 April 2013, 5:23 pm   /////  

There’s a nice article by Illya Szilak, with a discussion/reporting by Melinda White, about the Library of Congress Electronic Literature Showcase. This ran April 3-5; I was down there to read from Ad Verbum and Taroko Gorge and to speak about electronic literature’s history with libraries on the last day of the event and exhibit. And it was an excellent exhibit.

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