{"id":2275,"date":"2012-02-26T19:24:15","date_gmt":"2012-02-27T00:24:15","guid":{"rendered":"http:\/\/nickm.com\/post\/?p=2275"},"modified":"2012-11-29T14:41:06","modified_gmt":"2012-11-29T19:41:06","slug":"codings","status":"publish","type":"post","link":"https:\/\/nickm.com\/post\/2012\/02\/codings\/","title":{"rendered":"Codings"},"content":{"rendered":"<p>Codings shows the computer as an aesthetic, programmed device that computes on characters. The works in the show continue and divert the traditions of concrete poetry and short-form recreational programming; they eschew elaborate multimedia combinations and the use of network resources and instead operate on encoded letters, numbers, punctuation, and other symbols that are on the computer itself.<\/p>\n<p>\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/ Giselle Biguelman<br \/>\n\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/ Commodore Business Machines, Inc.<br \/>\n\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/ Adam Parrish<br \/>\n\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/ J\u00f6rg Piringer<br \/>\n\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/ Casey Reas<br \/>\n\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/\/ P\u00e1ll Thayer<\/p>\n<p>Curated by Nick Montfort<br \/>\n<a href=\"http:\/\/csis.pace.edu\/digitalgallery\/\">Pace Digital Gallery<\/a><\/p>\n<p>Feb 28th &#8211; March 30th, 2012 (with regular gallery hours Mon-Thu 12-5pm).<\/p>\n<p>Panel with artists Adam Parrish and P\u00e1ll Thayer and the curator, and opening reception, Feb 28th, 5-7pm.<\/p>\n<p><a href=\"http:\/\/csis.pace.edu\/digitalgallery\/codings\/codings-catalogue.pdf\">The Codings catalog<\/a> is available as a PDF for download (6MB).<\/p>\n<p>The Pace Digital Gallery is directed by Frank T. Marchese and Jillian Mcdonald and is located at 163 William St, New York, NY. More information on the works exhibited, and directions to the gallery, can be found at the <a href=\"http:\/\/csis.pace.edu\/digitalgallery\/\">Pace Digital Gallery site.<\/a><\/p>\n<div style=\"margin-left:125px; margin-right:125px; width:240px\">\n<p><img loading=\"lazy\" decoding=\"async\" style=\"padding:5px\" src=\"http:\/\/nickm.com\/post\/wp-content\/stuff\/code_movie_1.jpg\" alt=\"\" title=\"Code Movie 1, Giselle Beiguelman (Brazil)\" width=\"240\" height=\"200\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" style=\"padding:5px\" src=\"http:\/\/nickm.com\/post\/wp-content\/stuff\/10_print_chr.png\" alt=\"\" title=\"10 PRINT CHR$(205.5+RND(1); : GOTO 10, Commodore Business Machines, Inc. (Canada\/USA)\" width=\"240\" height=\"170\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" style=\"padding:5px\" src=\"http:\/\/nickm.com\/post\/wp-content\/stuff\/apd.jpg\" alt=\"\" title=\"Autonomous Parapoetic Device, Adam Parrish (USA)\" width=\"240\" height=\"180\" \/><\/p>\n<p><img decoding=\"async\" style=\"padding:5px\" src=\"http:\/\/nickm.com\/post\/wp-content\/stuff\/unicode.png\" alt=\"\" title=\"Unicode, J\u00f6rg Piringer (Austria)\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" style=\"padding:5px\" src=\"http:\/\/nickm.com\/post\/wp-content\/stuff\/processing_10_print.png\" alt=\"\" title=\"10 PRINT, Casey Reas (USA)\" width=\"240\" height=\"160\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" style=\"padding:5px\" src=\"http:\/\/nickm.com\/post\/wp-content\/stuff\/microcodes_flag.png\" alt=\"\" title=\"Microcodes, P\u00e1ll Thayer (Iceland\/USA)\" width=\"240\" height=\"133\" \/><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Codings shows the computer as an aesthetic, programmed device that computes on characters. The works in the show continue and divert the traditions of concrete poetry and short-form recreational programming; they eschew elaborate multimedia combinations and the use of network resources and instead operate on encoded letters, numbers, punctuation, and other symbols that are on &hellip; <\/p>\n<p class=\"link-more\"><a href=\"https:\/\/nickm.com\/post\/2012\/02\/codings\/\" class=\"more-link\">Continue reading<span class=\"screen-reader-text\"> &#8220;Codings&#8221;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[117,12,24,4,15,22,19],"class_list":["post-2275","post","type-post","status-publish","format-standard","hentry","category-uncategorized","tag-10-print","tag-art","tag-gatherings","tag-poetry","tag-programming","tag-upcoming","tag-video"],"_links":{"self":[{"href":"https:\/\/nickm.com\/post\/wp-json\/wp\/v2\/posts\/2275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/nickm.com\/post\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/nickm.com\/post\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/nickm.com\/post\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/nickm.com\/post\/wp-json\/wp\/v2\/comments?post=2275"}],"version-history":[{"count":13,"href":"https:\/\/nickm.com\/post\/wp-json\/wp\/v2\/posts\/2275\/revisions"}],"predecessor-version":[{"id":2805,"href":"https:\/\/nickm.com\/post\/wp-json\/wp\/v2\/posts\/2275\/revisions\/2805"}],"wp:attachment":[{"href":"https:\/\/nickm.com\/post\/wp-json\/wp\/v2\/media?parent=2275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/nickm.com\/post\/wp-json\/wp\/v2\/categories?post=2275"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/nickm.com\/post\/wp-json\/wp\/v2\/tags?post=2275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}