Here’s the abstract from a presentation I gave yesterday, from my pedestrian stance as a non-dancer, at a high-energy workshop on dance technology:
Why Watson Can’t Dance: Attempts at On-Screen Dance in Popular Digital Media
Nick Montfort
Dance Technology and Circulations of the Social v2.0, MIT, April 21-23, 2011
Of all the ways that computing can connect to dance, one of the simplest but also most pervasive is seen in the animation of dancing bodies on screen. To inquire about how computers have done this sort of virtual dance over the decades, and how it relates to interactive games that require the player to dance, I begin by considering very simple digital media objects that represent dance. The first is a non-interactive BASIC program from the 1982 _Commodore 64 User’s Guide:_ “Michael’s Dancing Mouse.” Comparing this to a dancing computer animation from the decade after — the dancing baby, which was one of the first viral animations or videos online — is instructive in considering the way digital media developed and whether or not the computing concept of dance developed. I then turn to focus on one game originally for the arcade and one home video game: Konami’s _Dance Dance Revolution_ and Harmonix’s _Dance Central._ In examining these systems, I try to articulate the model of dance that underlies them and to understand what aspects of dance are foregrounded and which are left aside. Finally, I consider how well the computer can dance (in this one narrow sense of displaying an animated dancing figure) and how this compares to the computer’s ability in other domains, including the other arts.
Some relevant videos:
