It’s not quite Thy Dungeonman, but you can now play POET The Game, which pokes at the life of an MFA student poet in a browser-based roll-your-own-parser experience that is meant to recall the text adventures of yore.
Update: Blankets of snow and torrents of sleet have tried to match the intensity of the poster design below. As a result, today’s talk (2/13) is cancelled! NYU is closing at 3pm today. Hopefully there will be another chance before too long…
I don’t always announce my upcoming talks on my blog…
But when I do, they’re promoted by very nice posters.
Consider it not in French, but Italian.
There are obsession-inducing transmissions, audio transmissions.
The ending is ugly … overall and in one language, at least.
But the story is a poet’s story – it begins with _O_ and ends with _O_.
“Description,” my 2014 New Year’s poem, was sent out as a text file at the end of 2013; it’s now online in a solvable and checkable form, in a new Web edition.
The Trope Tank has a good deal going on in the next month, as classes at MIT begin. If you’re in LA, the Boston Area, or New York at the right times, please join us…
– January 16 in Los Angeles at USC, my talk “Computational Poetic Models,” SCA Complex, SCI Room 108, 11am
– January 17 in Los Angeles at UCLA, my talk “Ten Cases of Computational Poetics,” M/ELT, YRL Hub, 12pm
– January 21 in Cambridge at MIT, Dr. Piotr Marecki’s talk “Polish Literature in the Digital Age,” 6pm, The Trope Tank
– January 29 in Cambridge at MIT, Commodore 64 BASIC Workshop, The Trope Tank, 2pm-5pm; the workshop is full but we will try to accommodate spectators when we run/screen the results around 4:30pm
– February 13 in New York at NYU, my talk “Poetic Computing,” 239 Greene St Floor 8, 6pm
Online magazine The Claudius App, devoted to “fast poems and negative reviews,” is now in its fifth number and clad in the classic Sim-City-like skin of a burning New York City. There’s a more standard but still DOS-like directory listing, with links to much fine fare, including a translation of a Georges Perec piece and an interactive but also self-scrolling work, “Titanichat,” by Cecilia Corrigan and Ian Hatcher. It comes with a soundtrack, too.
You can download it and run it using a VIC-20 emulator (or, of course, an actual VIC-20). I run it in VICE on my Ubuntu system by typing “xvic nw” from the directory that contains the “nw” file. If it’s more convenient, you can also download a d64 disk image with Nanowatt on it and load “nw” from there.
It produces 8 KB of English text quoted exactly from Samuel Beckett’s second novel, Watt.
And it produces 8 KB of French text quoted exactly from the French translation of Samuel Beckett’s second novel, Watt.
And the entire demo (including two songs, sound system, code for decompression and display of text, and explanations and greetings at the end) is 3.5 KB: 3583 bytes.
When possible, I will upload a video of the demo running.
This rather esoteric demo was awarded 2nd place (out of 3 entries).
I also got 4th place (out of 5) for my one-line BASIC program that was done as a fast demo, based on today’s theme: “weaving.”
UPDATE: You can run Nanowatt without leaving the comfort of your browser. First, copy this URL into your copy-and-paste buffer: << http://nickm.com/poems/nw >>. Then, go to the page for JS VIC-20. Select the “Storage” menu from the top and choose the option at the bottom of the list, “Carts/Programs,” and choose the top option, “Load Cart from URL.” Finally, paste in the URL that you copied and watch the demo run.
‘NOTHER UPDATE: Video of the demo running on a VIC-20 has been posted.
Mr. William S. Burroughs:
Although if you live in the United States, this is my favorite version of that video:
I’m lucky to have a print copy of Amaranth Borsuk’s _Tonal Saw,_ a long poem created by erasure from the pamphlet _National Sunday Law._
But that print chapbook, which was printed in a small edition of only 100 copies, is now sold out.
So, I was pleased to find (for everyone else’s benefit) that _Tonal Saw_ is available as a PDF from the press that published that print chapbook, The Song Cave. Here is is!
You can find other quality PDFs on The Song Cave’s site.
Will compounding words lead to compounding interest? Check out my word/name generator, Upstart, and see what you think.
As always, you should feel free to develop a modified generator or name your company one of these terms.
I was fascinated to find that Non-Event, “a Boston-based concert series devoted to the presentation of the finest in experimental, abstract, improvised, and new music from New England and around the world,” will be bringing several sound poets to the area soon. Steve McCaffery and Christian Bök have graced my Purple Blurb series at MIT recently, and I am very much looking forward to the ululations and other sounds of other sound poets.
Vincent Barras and Jaques Demierre are coming to the misnamed swissnex Boston (it’s in Cambridge) Monday, October 7 at 6:30pm, for $10/$5 for students. That’s tomorrow.
Jaap Blonk will be at the (correctly named) School of the Museum of Fine Arts Boston at 8pm Saturday, November 23, for $5.
A new short, snappy, and expanding poem by Nick Montfort, Jerome Fletcher, Talan Memmott, Serge Bouchardon, Samantha Gorman, Leonardo Flores, Scott Rettberg, Jason Nelson, and Flourish Klink is now online.
It’s pop, an ELO 2013 anthology. It requires the use of arrow keys. And it was written at the Electronic Literature Organization’s 2013 conference, Chercher le texte, in Paris.
Puzzle out the constraint that was used, and feel free to continue the project…
(I have the feeling that I’ve omitted the name of at least one contributor … please let me know if I left you off the list; I will gladly remedy that on this post and on the pop page itself.)
Chris Funkhouser’s SoundBox 2012 has been posted in the online gallery space of DDDL, which I believe stands for Digital, Digital, Digital, digitaL. Or maybe Digital Digital Digital Littérature? There is a rich array of work up there; Chris’s contribution blends sounds with the carefully-recorded speech that he has recorded across many conferences and beyond, providing a rich audio record of activity in electronic literature and E-Poetry. As the description of the work says,
> Combining music, demented artistic performances, lectures, and studio experiments, Funk’s SoundBox 2012 draws from hundreds of digital recordings produced by poet-critic Chris Funkhouser, who condenses them into a single interactive space. Users of this personal archive – a balance of words and sounds Funkhouser wishes to remember and share – will find ambient and raw materials amidst discussions led by some of the most influential figures in the field of digital writing, grand improvisations featuring a range of instrumentation, software play, and more weaved into a unique sonic projection.
Except — wait. Those are documented artistic performances, lectures, and studio experiments. Sheesh.