House of Leaves of Grass

Monday 13 May 2013, 11:32 pm   //////  

What miracle is this? This giant tree.
It stands ten thousand feet high
But doesn’t reach the ground. Still it stands.
Its roots must hold the sky.

O

HYMEN! O hymenee!
Why do you tantalize me thus?
O why sting me for a swift moment only?
Why can you not continue? O why do you now cease?
Is it because, if you continued beyond the swift moment, you would soon certainly kill me?

[This "House of Leaves of Grass" is a 24K poetry generator that produces about 100 trillion stanzas. Vast, it contains multitudes; it is bigger on the inside than it is on the outside. By Mark Sample, based on "Sea and Spar Between."]

Should Have Sent a Poet

Monday 13 May 2013, 1:02 am   ///  

Well, this time they did. And a Canadian one at that.

The Winter Anthology is Out

Friday 8 March 2013, 11:34 am   ////  

This winter’s Winter Anthology, a collection of contemporary literature informed by history and older art, 21st century science and philosophy, and the ending of print culture, is now out.

This is volume three, and contains work by Joanna Howard, Andrew Zawacki, Andrew Grace, Ryan Flaherty, Srikanth Reddy, Ponç Pons, Lee Posna Louis Armand, Dan Beachy-Quick, Steven Toussaint, and Nick Montfort & Stephanie Strickland.

I’m delighted to have our poetry generator “Sea and Spar Between” published in this context.

How to Buy Some of My Most Obscure Books

Thursday 7 March 2013, 2:06 pm   ////  

2002: A Palindrome Story

By Nick Montfort and William Gillespie. Illustrated by Shelley Jackson. Designed by Ingrid Ankerson. (24 pp., acknowledged by the Oulipo as the longest literary palindrome.) Spineless Books, 2002. $16.

The First M Numbers.

By Nick Montfort. Edition of 80. 4 pp. No Press, Calgary, Canada, 2013. $2.50.

In New York, Saint Mark’s Bookshop has copies of these two books for sale; in Cambridge, MA, they are available from the MIT Press Bookstore. 2002 is also available from the publisher, Spineless Books, and other online and local bookstores. I believe that No Press is out of copies of The First M Numbers.

Implementation: A Novel

By Nick Montfort and Scott Rettberg. (270 pp., a 4-color book documenting the 2004 project Implementation.) 2012. $77.95.

This book is only available for purchase directly from the printer, Blurb.

An Auto-Interview about All the Way for the Win

Wednesday 6 March 2013, 9:03 pm   ////  

Poet Michael Leong “tagged” me, not by spray-painting me or by assigning me a folksonomical string, but by sending me the following template of interview questions. This process is part of the project “The Next Big Thing,” in which people answer robotic, monomaniacal questions about recent or forthcoming books. I was supposed to post this on Wednesday, apparently, so it’s a good thing that I can set the date arbitrarily on my blog posts.

What is the working title of the book?
All the Way for the Win.

Where did the idea come from for the book?
Decades of intense poetic engagement with the English language.

What genre does your book fall under?
In terms of literary tradition, it’s an example of the sort of constrained writing that was pioneered by the Oulipo; in terms of the retail channel, it will end up in the poetry section if anywhere.

What actors would you choose to play the part of your characters in a movie rendition?
Mos Def, Zhu Zhu, Rex Lee, Won Bin, and (although I don’t think he’s a member of the SAG) Tan Lin.

What is the one sentence synopsis of your book?
A book written using only three-letter words.

How long did it take you to write the first draft of the manuscript?
I haven’t written anything close to a complete draft. I’ve only been working on the project seriously for about four years.

Who or what inspired you to write this book?
All the Way for the Win is 0% inspiration.

What else about your book might pique the reader’s interest?
The English langauge bursts with words brought to us by commerce and colonialism, is scarred by decades of wars and invasions, and both traces and propels our thinking as a culture. It is an urgent and important project to find principled, unusual subsets of this language and to make new works out of these, revealing qualities of our language through poetic practice. Readers of this book may also considerably improve their Scrabble play.

Will your book be self-published or represented by an agency?
No.

Just Posted, Computational, Conceptual

Friday 18 January 2013, 8:54 pm   //////  

Now online: “The First M Numbers Classified in Alphabetical Order.”

This was my New Year’s poem for 2013. It is based on Claude Closky’s 1989 “Les 1000 premiers nombres classés par ordre alphabétique” [The First 1000 Numbers Classified in Alphabetical Order], which he laser printed and which begins this way:

From Closky's The First 1000 Numbers Classified in Alphabetical Order

A full image of the first page spread (which is the source for the image above), and more context for this work, is available on this page.

The printed copies of my “The First M…” were dot-matrix printed on two connected sheets of fanfold paper. In the printout, as online, I included the program as well as the output.

Chercher le Text Call for Artistic Works

Tuesday 15 January 2013, 6:22 pm   ///////  

Here is the call for artistic proposals for the ELO 2013 “Chercher le Text” in Paris!

The “chercher le texte” event deals with literary issues and text-oriented multimedia practices on digital devices: digital books, texts generated or animated through programming, fiction hypertexts, “manipulable”, playable works, or on the contrary works whose very program embraces literariness. The considered devices range from computers to mobile devices, including social networks. They can be used in various contexts: installations, performances, personal devices designed for digital reading. These contexts range from solo reading to collaborative or participative reading.

This event will represent an opportunity to showcase young artists and bring together two worlds, which otherwise barely come into contact with one another: that of the experimental digital literature forms deriving from the second half of the 20th century avant-garde movements and that of the digital writings, as used by authors coming from the book world and who have taken over the digital technologies, namely blogs and e-books. In this context, the Musique et Informatique de Marseille (MIM) laboratory associates with team Écritures Numériques from Paris 8 Paragraphe laboratory, the digital literature European network Digital Digital Digital Littérature (DDDL), the Electronic Literature Organization (ELO), the Bibliothèque Publique d’Information (BPI), the Bibliothèque Nationale de France (BNF), the Cube, the Labex Art-H2H coordinated by Paris 8 and the École nationale supérieure des Arts Décoratifs (EnsAD) to organize the following events:

  • An online virtual gallery on the DDDL network website.
  • Four events consisting of performances and projections of works, from September 23 to 26, 2013, in the small room of the Centre Pompidou, the big auditorium of the Bibliothèque Nationale de France and the Cube amphitheater.
  • A six-week exhibition on “digital literatures from the past and future” in the BNF lab room of the Bibliothèque Nationale de France, which will be launched on September 24, 2013. This exhibition will feature the virtual gallery and a selection of digital literary works with emphasis on the works designed for touch-pads and e-readers.

Artists, especially young ones, are invited to propose one or several work(s). Please send your proposals to work@chercherletexte.org before February 18.

This is a summary of the call – see www.chercherletexte.org for full details.

The Tale of the MLA E-Lit Exhibit, Reading

Monday 14 January 2013, 12:54 am   ///////  

Kathi Inman Berens storified some nice media elements relating to the 2013 electronic literature exhibit and reading at the MLA Convention.

Code, Poetry Intersect in a Corner

Monday 7 January 2013, 10:42 pm   //////  

In this episode of Poetry Corner with Guido, Guido the python shares a Gertrude Stein poem titled Sacred Emily.

Poetry Corner with Guido

Jared Nielsen, thanks to his schooling in Modern and Contemporary American Poetry, his ability as a programmer, and his recent creation of a puppet, has developed an amazing conflation of Gertrude Stein, the Python programming language, and the Wonder Showzen episode “Patience.”

Nielsen has been recreating famous American poems in Python or so that they are about Python, as in “The Red Wheelbarrow” and “Song of Myself.”

His project parallels that of Páll Thayer along two dimensions: Thayer, in his series Microcodes, presents short programs in Perl (not Python) that often recreate famous artworks (not poems), for instance Vito Acconci’s Seedbed and Jasper Johns’s Flag.

We must admit, however, that Thayer does not employ a puppet named after Larry Wall.

Radical Books of 2012 (5/7)

Saturday 5 January 2013, 3:15 pm   //////  
Cutting Time with a Knife

Cutting Time with a Knife
Michael Leong

Black Square Editions · 124 pages

When randomness is employed in poetics and succeeds, it is because of how it plays within regularity of different sorts. This book sutures the two very well. Concrete elemental sqaures sit at the top of each page, containing irregularly arranged phrases of regular syntax (“The [buttock] of the poet is the [geodesic dome] of [Rhodium].”) The text and sometimes symbols underneath read like a Google Books snippet view. Leong constructed this book “by etherizing T.S. Eliot’s classic essay,” “Tradition and the Individual Talent,” upon the periodic table. The cyborg text, animated with galvanic force, is made from cut-ups of this essay and the Wikipedia articles for the 118 elements. The periodic table has offered a rich lattice for poetic production, digital and otherwise; here, the unique twist was provided by the amalgamation of this tabular framework with an (ostensibly random) avant-garde writing technique, a classic essay on how individuality relates to commonality and a collaboratively-authored encyclopedia.

Radical Books of 2012 (4/7)

Friday 4 January 2013, 1:30 pm   //////  
I'll Drown My Book

I’ll Drown My Book: Conceptual Writing by Women
Edited by Caroline Bergvall, Laynie Browne, Teresa Carmody, and Vanessa Place

Les Figues · 455 pages

Community Reviews (showing 1-30 of 96) filter | sort: default (?) | rating details

Nov 19, 2012 Mark Noack rated it ***** review of another edition
a fantastic book. as an overview/introduction to current post-modern writing, the most interesting anthology i have read to date. while some of these writers might not have made the “cut” for the Goldsmith/Dworkin anthology, possibly due in part to their work being too “baroque” (in Vanessa Place’s terms); this is my preference. while i find conceptual/experimental writing interesting, much of what has been done suffers the danger of becoming automatic/generated/stenography. while the dadaist ar…more
like · see review

Oct 17, 2012 Sigrun Hodne marked it as to-read
A perfect gift from dear a friend! Looking forward to diving into it!
like · see review

Oct 26, 2012 Erin Lyndal added it
This wasn’t my cup of tea, so I didn’t finish. Bummer because I was really psyched about it.
like · see review

Dec 08, 2012 Janey Smith added it
My review of I’ll Drown My Book

Flores on Sea and Spar Between

Friday 4 January 2013, 10:04 am   //////  

Leonardo Flores has posted a nice discussion of Sea and Spar Between (by Nick Montfort and Stephanie Strickland) on his blog, I ♥ E-Poetry.

Radical Books of 2012 (1/7)

Tuesday 1 January 2013, 1:30 pm   ///////  
The Oregon Trail is the Oregon Trail

The Oregon Trail is the Oregon Trail
Gregory Sherl

Mud Lucious Press · 65 pages

Consciousness wobbles between the “real world” of Barry Manilow concerts, streetscapes that look like Frogger, and private Facebook messages on the one hand and a fabled simulation bleeding beyond the phosphors of the computer-connected CRT television on the other. Amid tender moments featuring the wife, child #1, and child #2, these poems also offer reminders of the political context in which Westward expansion was undertaken. “The Oregon Trail 2 Starring Mel Gibson Directed by Mel Gibson” notes, for instance, “We have Manifest Destiny in our cocks.” This book about the American journey, not the destination, may appear to be a nostalgic romp. (Perhaps the book’s dedication, “FOR YOUTH,” and the theme of adult responsibilities invites such an attitude.) There is no home to ache over, though, in these 39 poems that join intimate imagination to a famous if floppy American document, showing that however personal or national memory flows past, in whatsoever form, you can’t ford the same river twice.

The Gorge in Review, and in Remix

Saturday 29 December 2012, 7:24 pm   //////  

Leonardo Flores has now written 22 posts (one each day, as is his wont over at “I ♥ E-Poetry”) on Taroko Gorge and its various remixes.

Quite a critical outpouring, considering that Taroko Gorge was originally a one-day project!

Leonardo also presents TransmoGrify, another remix of Taroko Gorge that narrates the programming and remixing of these 22 poem generators, producing stanzas such as this one:

Mark inverts the line.
Sonny Rae experiments.
Judy intervenes upon the variable.

With the absolute ♥ of the e-poetry of life butchered out of their own bodies good to eat a thousand years.

Purple Blurb Spring 2013: McIntosh, Di Blasi, Henderson

Friday 21 December 2012, 4:47 pm   //////  

Thanks to the good work of guest organizer Gretchen Henderson, the Purple Blurb schedule for Spring 2013 is already set! I hope to see you locals at some or all of them.

All Spring 2013 events are Mondays at 5:30pm in MIT’s room 14E-310. This is in the East wing of Building 14, across the building’s courtyard from the Hayden Library. Building 14 is not part of the Media Lab Complex. The Spring 2013 schedule is thanks to guest organizer Gretchen Henderson.

February 11, 5:30pm in 14E-310

Jason McIntosh

Presents the Interactive Fiction “The Warbler’s Nest”

The Warbler's Nest title image

Jason McIntosh is an independent games critic, designer, and scholar. During the previous decade, he produced “The Gameshelf”, a public-access TV series examining both tabletop and digital games, and “Jmac’s Arcade,” a set of video monologues on growing up within the arcade culture of the 1980s. More recently, he’s taught a game-studies lab at Northeastern University, published the XYZZY Award-winning work of interactive fiction “The Warbler’s Nest”, crafted the iPad edition of the tabletop game “Sixis” by Chris Cieslik, and worked as a game-design consultant for other clients. He continues to write game-criticism essays on The Gameshelf’s blog, and produces the occasional episode of the podcast series “Play of the Light”, which he co-hosts with Matthew Weise. His website collecting all this stuff may be found at jmac.org

March 11, 5:30pm in 14E-310

Debra Di Blasi

Skin of the Sun: Five Iterations Toward Human As Novel”

Followed by a discussion of the literary publisher’s role in the 21st Century

From Skin of the Sun

Debra Di Blasi is a multi-genre, multimedia author of six books, including The Jirí Chronicles & Other Fictions, Drought & Say What You Like, and Skin of the Sun. Awards include a James C. McCormick Fellowship in Fiction from the Christopher Isherwood Foundation, Thorpe Menn Book Award, Cinovation Screenwriting Award, and Diagram Innovative Fiction Award. Her fiction is included in a many leading anthologies of innovative writing and has been adapted to film, radio, theatre, and audio CD in the U.S. and abroad. Her essays, art reviews and articles can be found in a variety of international, national and regional publications. She frequently lectures on the intersection of literature and technology and is working on a nonfiction book on related topics.

April 8, 5:30pm in 14E-310

Gretchen E. Henderson

Galerie de Difformité:The Book as Body, The Body as Book”

Followed by an OPEN MIC!

From Galerie de Difformité

Gretchen E. Henderson is a Mellon postdoctoral fellow at MIT and a metaLAB fellow at Harvard, who writes across genres, the arts, and music to invigorate her critical and creative practices. She is the author of two novels, The House Enters the Street and Galerie de Difformité (winner of the Madeleine Plonsker Prize), a collection of nonfiction, On Marvellous Things Heard, and a poetry chapbook, Wreckage: By Land & By Sea. Among other projects at MIT, she is working on Ugliness: A Cultural History (for Reaktion Books), while continuing the collaborative deformation of Galerie de Difformité: a print book that is interfacing with the history and future of the book, networked online, inviting readers to participate in its (de)formation across media.

Someone Hearts Taroko Gorge

Wednesday 12 December 2012, 12:36 am   /////  

Leonardo Flores of I ♥ E-Poetry is writing about 18 remixes of Taroko Gorge, one each day for the next 18 days.

A Poetry Class for 36,000

Tuesday 4 December 2012, 7:24 pm   ///////  

December 10, 5:30pm in MIT’s 6-120

Al Filreis

Teaching Modern & Contemporary American Poetry to 36k

Al Filreis has taught his “ModPo” course at Penn for years; in Fall 2012 he offered a 10-week version of the course online, via Coursera, to more than 36,000 students. The course, as in its previous versions, does not include lectures, being based instead on discussion – the collaborative close readings of poems. The course grows out of Filreis’s work at the Kelly Writers House; he has been Faculty Director of this literary freespace since its founding in 1995. Filreis is also co-founder of PennSound, the Web’s main free archive of poetry readings, publisher of Jacket2 magazine, and producer and host of “PoemTalk,” a podcast/radio series of close readings of poems. In conversation with Nick Montfort, Filreis will discuss ModPo and his perspective on writing, teaching, and digital media.

Filreis is Kelly Professor of English and Director of the Center for Programs in Contemporary Writing at the University of Pennsylvania. He is the author of Wallace Stevens and the Actual World, Modernism from Right to Left, Counter-Revolution of the Word: The Conservative Attack on Modernism, 1945-60, and other works. He was chosen as Pennsylvania Professor of the Year by the Carnegie Foundation in 2000.

Co-sponsored by the SHASS Dean’s Office and the Literature Section.

All Purple Blurb events are free and open to the public. The Purple Blurb series is supported by the Angus N. MacDonald fund and Writing and Humanistic Studies.

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