Happy New Year 2017

My New Year’s poem for 2017 is Colors, a 1KB Web page, online at http://nickm.com/poems/colors.html and here it is, too:

<!DOCTYPE html>
<html style="overflow:hidden">
<head><meta charset=utf-8>
<!-- Copyright (c) 2016 Nick Montfort <nickm@nickm.com>   2016-12-31, 1KB

Copying and distribution of this file, with or without modification,
are permitted in any medium without royalty provided the copyright
notice and this notice are preserved. This file is offered as-is,
without any warranty.

Click pauses, Add ?00f000 or similar to URL for the specified color.-->
<script type=text/javascript>
var c = 0, i;
function up() {
 if (c > 16581375) { c = 0; }
 document.body.style.background = "#"+("00000"+c.toString(16)).slice(-6);
 c += 1;
}
function pause(e) {
 if (i) { clearInterval(i); i = 0; } else { go(); }
}
function init() {
 var s = window.location.search;
 if (s.slice(0, 1) === '?') { c = parseInt(unescape(s.slice(1)), 16); }
 go();
}
function go() { i = window.setInterval(up, 5); };
</script>
<title>Colors</title></head>
<body onload=init() onmousedown=pause(event)>
<div style="width:100vw; height:100vh"></div>
</body>
</html>

As the code says, you can add an argument in the URL to start with a particular color, such as medium gray:

http://nickm.com/poems/colors.html?808080

Click to stop on a particular color that you especially like. Click again to continue moving through the colors. If you let it run, you’ll see all 16581375 colors in just over 23 hours.

Happy new year.

Digital Lengua, the launch of 2×6 and Autopia, Nov 20 in NYC

Clouds of Digital Lengua palabras

Digital Lengua – Babycastles, 137 West 14th St, Manhattan –
5:30pm Sunday November 20

This reading of computer-generated literature in English and Spanish
serves as the global book launch for two titles:

2×6
Nick Montfort, Serge Bouchardon, Andrew Campana, Natalia Fedorova,
Carlos León, Aleksandra Ma?ecka, Piotr Marecki
Les Figues, Los Angeles: Global Poetics Series
http://lesfigues.com/book/2×6/
256 pp.

Autopia
Nick Montfort
Troll Thread, New York
http://trollthread.tumblr.com/post/152339108524/nick-montfort-autopia-troll-thread-2016-purchase
256 pp.

Montfort will read from these two books, reading English and Spanish
texts from 2×6. Paperback copies will be available for purchase. The
short programs that generated these books are printed in the books and also
available as free software online.

Läufer will read from his projects Bigrammatology and WriterTools™, in
both cases, in Spanish and English.

Montfort and Läufer will read from work done as part of the Renderings
project and as part of another project, Heftings.

The Renderings project, organized by Montfort and based at his
lab, The Trope Tank, involves locating computational literature (such as
poetry generating computer programs) from around the globe and translating
these works into English. Läufer and Montfort will read from two
Spanish-language poetry generators, from Argentina and Spain, and from
translations of them.

The Heftings project, also organized by Montfort through The
Trope Tank, involves making attempts, often many, at translating conceptual,
constrained, concrete & visual, and other types of literary art that are
generally considered to be impossible to translate. Montfort and Läufer will
read from some short works that are originally in Spanish or English and
works that have Spanish or English translations.

Nick Montfort develops computational art and poetry, often
collaboratively. His poetry books are #!, Riddle & Bind, and
Autopia;
he co-wrote 2002: A Palindrome Story and 2×6. His
more than fifty digital projects, at http://nickm.com, include the
collaborations The Deletionist, Sea and Spar Between, and the
Renderings
project. His collaborative and individual books from the MIT
Press are: The New Media Reader, Twisty Little Passages, Racing the Beam,
10 PRINT CHR$(205.5+RND(1)); : GOTO 10,
and most recently Exploratory
Programming for the Arts and Humanities.
He lives in New York and
Boston, offers naming services as Nomnym, and is a professor at MIT.

Milton Läufer is an Argentinian writer, journalist and teacher.
Currently he is doing a PhD at New York University focused on digital
literature in Latin America. He is the 2016-2017 writer-in-residence of
The Trope Tank
, MIT. In 2015 he published Lagunas, a partially
algorithmic-generated novel, which —as most of his work— is available online
at http://www.miltonlaufer.com.ar. He has participated in art exhibitions in
Latin America, the US and Europe. He lives in Brooklyn.

Digital Lengua – Babycastles, 137 West 14th St, Manhattan – 5:30pm Domingo, Noviembre 20

Esta lectura de literatura generada por computadora en español e inglés
oficiará, a la vez, de lanzamiento para los siguientes dos títulos:

2×6
Nick Montfort, Serge Bouchardon, Andrew Campana, Natalia Fedorova,
Carlos León, Aleksandra Ma?ecka, Piotr Marecki
Les Figues, Los Angeles: Global Poetics Series
http://lesfigues.com/book/2×6/
256 págs.

Autopia
Nick Montfort
Troll Thread, New York
http://trollthread.tumblr.com/post/152339108524/nick-montfort-autopia-troll-thread-2016-purchase
256 págs.

Montfort leerá de ambos libros, en español e inglés para el caso de
2×6
. Habrá copias impresas disponibles para su compra. Los breves
programas que generan el código se encuentran en dichos libros y también en
línea como software libre (y gratuito).

Läufer leerá de sus proyectos Bigrammatology y WriterTools™, en español e inglés en ambos casos.

Los autores leerán también de los trabajos realizados en el marco de los
proyecto Renderings y Heftings.

El proyecto Renderings, organizado por Montfort con base en su
laboratorio, The Trope Tank, involucra la búsqueda de literatura
computacional (tal como poesía generada por programas de computadora) a lo
largo del globo y la traducción de estos proyectos al inglés. Läufer y
Montfort leerán de dos generadores de poesía en español, uno de Argentina y
otro de España, así como sus traducciones.

El proyecto Heftings, también organizado por Montfort a través de
The Trope Tank, consiste en la producción de intentos, a menudo
muchos, de traducir obras literarias conceptuales, formalistas, concretas o
visuales tales que son generalmente consideradas imposibles de traducir.
Montfort y Läufer leerán algunos trabajos breves originalmente en español o
inglés y trabajos que poseen traducciones españolas o inglesas.

Nick Montfort desarrolla arte y poesía computacional,
frecuentemente en colaboración. Entre sus libros se destacan #!,
Riddle & Bind
y Autopia; y, en colaboración, 2002: A
Palindrome Story
y 2×6. Entre sus más de cincuenta proyectos
digitales, en http://nickm.com, se encuentran las colaboraciones The
Deletionist
, Sea and Spar Between y Renderings, un
proyecto centrado en la traducción. Sus libros de MIT Press son The New
Media Reader
, Twisty Little Passages, Racing the Beam,
10 PRINT CHR$(205.5+RND(1)); : GOTO 10
y, recientemente, Exploratory
Programming for the Arts and Humanities
. Vive en New York y Boston,
ofrece servicios de nombres como Nomnym, y es un profesor en MIT.

Milton Läufer es un escritor, periodista y docente argentino.
Actualmente se encuentra realizando un PhD en la New York University acerca
de literatura digital in América Latina. Es el escritor en residencia de
The Trope Tank
para el período 2016-2017, en MIT. En 2015 publicó la
novela generada parcialmente por algoritmos Lagunas, la cual —como el
resto de su obra el literatura digital— es accesible desde su sitio,
http://www.miltonlaufer.com.ar. Ha participado de exposiciones en América
Latina, Estados Unidos y Europa. Vive en Brooklyn.

 

Computer-Generated Books

Here’s a first effort (drafted, initially, at 2am on July 22) at a bibliography of computer-generated books.

These are books in the standard material sense, somehow printed, whether via print-on-demand or in a print run. I may include chapbooks eventually, as they certainly interest me, but so far I have been focusing on books, however bound, with spines. (Updated June 23, 2017: I added the first chapbooks today.) Books in any language are welcome.

So far I have not included books where the text has been obviously sorted computer (e.g. Auerbach, Reimer) or where a text has been produced repeatedly, obviously by computer (e.g. Chernofsky). Also omitted are computer-generated utilitarian tables, e.g. of logarithms or for artillery firing. Books composed using a formal process, but without using a computer, are not included.

I have included some strange outliers such as books written with computational assistance (programs were used to generate text and the text was human-assembled/edited/written) and one book that is apparently human written but is supposed to read like a computer-generated book.

I’d love to know about more of these. I’m not as interested in the thousands of computer-generated spam books available for purchase, and have not listed any of these, but let me know if there are specific ones that you believe are worthwhile. I would particularly like to know if some of the great NaNoGenMo books I’ve read are available in print.

Updated 11:43am July 22: Since the original post I have added Whalen, Tranter, Balestrini, and five books by Bök. 5:35pm: I’ve added Thompson and Woetmann. 8:37am July 23: Added Bogost. 8:37pm July 24: Added Bailey, Baudot, Cabell & Huff, Cage x 2, Huff, Hirmes. October 12-14: Added Archangel, Seward, Dörfelt. June 12, 2017: Added Morris, Pipkin. June 23: Added Clark, Knowles 2011, The Maggot, and four chapbooks: Knowles & Tenney, Parrish, Pipkin (_picking figs…_), Temkin. September 5: Added Mize.

Archangel, Cory. _Working on my Novel._ New York: Penguin, 2014.

Bailey, Richard W. _Computer Poems._ Drummond Island, MI: Potagannissing Press, 1973.

Balestrini, Nanni. _Tristano._ Translated by Mike Harakis. London and New York: Verso, 2014.

Baudot, Jean. _La Machine a écrire mise en marche et programmée par Jean A. Baudot._ Montréal: Editions du Jour, 1964.

Bogost, Ian. _A Slow Year: Game Poems._ Highlands Ranch, CO: Open Texture, [2010].

Bök, Christian. _LXUM,LKWC (Oh Time Thy Pyramids)._ San Francisco: Blurb, 2015.

Bök, Christian. _MCV._ San Francisco: Blurb, 2015.

Bök, Christian. _Axaxaxas Mlo._ San Francisco: Blurb, 2015.

Bök, Christian. _The Plaster Cramp._ San Francisco: Blurb, 2015.

Bök, Christian. _The Combed Thunderclap._ San Francisco: Blurb, 2015.

Cabell, Mimi, and Jason Huff. _American Psycho._ Vienna: Traumavien, 2012.

Cage, John. _Anarchy (New York City, January 1988)._ Middletown, CT: Wesleyan University Press, 1988.

Cage, John. _I-IV._ Cambridge, MA: Harvard University Press, 1990.

Carpenter, J. R. _GENERATION[S]_ Vienna: Traumawien, 2010.

Cayley, John and Daniel C. Howe, _How it Is in Common Tongues._ Providence: NLLF, 2012.

Cayley, John. _Image Generation._ London: Veer Books, 2015.

Chamberlin, Darick. _Cigarette Boy: A Mock Machine Mock-Epic._ [Seattle]: Rogue Drogue: 1991.

Chan, Paul. _Phaedrus Pron._ Brooklyn: Badlands Unlimited, 2010.

Clark, Ron. _My Buttons Are Blue and Other Love Poems from the Digital Heart of an Electronic Computer._ Woodsboro, Maryland: Arcsoft Pub, 1982.

Daly, Liza. _Seraphs: A Procedurally Generated Mysterious Codex._ [San Francisco]: Blurb, 2014.

Fuchs, Martin and Peter Bichsel. _Written Images._ 2011.

Hartman, Charles and Hugh Kenner. _Sentences._ Los Angeles: Sun and Moon Press, 1995.

Heldén, Johannes and Håkan Jonson. _Evolution._ Stockholm, OEI Editör, 2014.

Hirmes, David. _Directions From Unknown Road to Unknown Road._ [Handmade edition of 10.] The Elements Press: 2010.

Huff, Jason. _Autosummarize._ [McNally Jackson]: 2010.

Kennedy, Bill and Darren Wershler-Henry. _Apostrophe._ Toronto, ECW Press, 2006.

Kennedy, Bill and Darren Wershler. _Update._ Montréal: Snare, [2010.]

Knowles, Alison, James Tenney, and Siemens System 4004. _A House of Dust._ Köln & New York: Verlag Gebr. Ko?nig, 1969.

Knowles, Alison. _Clear Skies All Week._ Onestar Press, 2011.

Larson, Darby. _Irritant._ New York and Atlanta: Blue Square Press, 2013.

Maggot, The. _Heroic Real Estate Otter of the 21st Century._ lulu.com, 2013.

Mize, Rando. _Machine Ramblings._ n.p., 2016.

Montfort, Nick. _World Clock._ Cambridge: Bad Quarto, 2013.

Montfort, Nick. _Zegar światowy._ Translated by Piotr Marecki. Krakow: ha!art, 2014.

Montfort, Nick. _#!_ Denver: Counterpath, 2014.

Montfort, Nick. _Megawatt._ Cambridge: Bad Quarto, 2014.

Montfort, Nick, Serge Bouchardon, Carlos León, Natalia Fedorova, Andrew Campana, Aleksandra Malecka, and Piotr Marecki. _2×6._ Los Angeles: Les Figues, 2016.

Morris, Simon. _Re-writing Freud._ York, England: Information as Material, 2005.

Parrish, Allison. _The Ephemerides._ Access Token Secret Press, 2015.

Pipkin, Katie Rose. _picking figs in the garden while my world eats Itself._ Austin: Raw Paw Press, 2015.

Pipkin, Katie Rose. _no people._ Katie Rose Pipkin, 2015.

Racter, _The Policeman’s Beard is Half Constructed._ Illustrations by Joan Hall. Introduction by William Chamberlain. New York: Warner Books, 1984.

Rosén, Carl-Johan. _I Speak Myself Into an Object._ Stockholm: Rensvist Förlag, 2013.

Dörfelt, Matthias. _I Follow._ Series of unique flip-books with computer-generated aspects of animation. Made by the artist. 2013-present.

Seward, Rob. _Death Death Death._ VHS Design LLC, 2010.

Temkin, Daniel. _Non-Words._ Edition of 100, each with unique words generated by same algorithm used in @nondenotative. n.d.

Thompson, Jeff. _Grid Remix: The Fellowship of the Ring._ San Francisco: Blurb, 2013.

Tranter, John. _Different Hands._ North Fremantle, Australia: Fremantle Arts Centre Press, 1998.

Walker, Nathan. _Action Score Generator._ Manchester: if p then q, 2015.

Whalen, Zach. _An Anthrogram._ Fredericksburg, Virginia: 2015.

Woetmann, Peter-Clement. _105 Variationer._ Cophenhagen: Arena, 2015.

#! Reading at MIT, Wednesday, 6:30pm

Nick Montfort presents #! in the atrium of MIT’s building E15, just steps from the Kendall T stop. It’s October 22, Wednesday, at 6:30pm, and thanks to the List Visual Arts Center. The book is Montfort’s new one from Counterpath Press, consisting of programs and poems. Please, come join me!

E15 Atrium

Computational Media Department at UCSC

Michael Mateas looks even more smug than normal – and he should – in the photo accompanying this UC Santa Cruz press release. He’s the chair of the new Computational Media department at that UC school, the first of its sort.

My collaborator & friend Michael, along with my collaborator & friend Noah Wardrip-Fruin, have made good on the suggestions of the report “Envisioning the Future of Computational Media,” the outcome of an NEH-, NEA-, NSF-, and Microsoft-sponsored workshop of which I was a part, along with about 40 others.

I’m glad, too, that Michael expressed how, while games are a critical part of computational media, the field’s potential goes beyond the current state of computer and video gaming.

It looks like computational media has a great future in Santa Cruz!

Zegar Światowy, the Polish World Clock

World Clock in Polish, displayed
World Clock (book, code) has now been published in Polish. The translation is by Piotr Marecki, who translated the underlying novel-generating program and generated a new novel in Polish. ha!art is the publisher, and the book appears in the Liberatura series, which also includes some very distinguished titles: The Polish translations of Finnegans Wake and of Perec’s Life A User’s Manual, for instance.

The Polish World Clock on the shelf

My Boston-Area Events This Fall

Yes, the first event is today, the date of this post…

September 12, Friday, 6pm-8pm

Boston Cyberarts Gallery, 141 Green Street, Jamaica Plain, MA
“Collision21: More Human” exhibit opens – it’s up through October 26.
“From the Tables of My Memorie” by Montfort, an interactive video installation, is included.


September 18, Thursday, 7pm-8pm

Harvard Book Store, 1256 Massachusetts Ave, Cambridge, MA
Montfort reads from #!, World Clock, and the new paperback 10 PRINT
http://www.harvard.com/event/nick_montfort/


September 24, Wednesday, 7:30pm

Boston Cyberarts Gallery, 141 Green Street, Jamaica Plain, MA
Montfort joins a panel of artists in “Collision21: More Human” for this Art Technology New England discussion.
http://atne.org/events/sept-24th-collision21-more-human/


October 22, Wednesday, 6:30pm-7:30pm

The Atrium of MIT’s Building E15 (“Old Media Lab”/Wiesner Building)
Montfort reads from #! at the List Visual Arts Center
http://counterpathpress.org/nick-montfort


November 15, Saturday, 9am-3pm

MIT (specific location TBA)
Urban Poetry Lateral Studio, a master class by Montfort for MIT’s SA+P
http://sap.mit.edu/event/urban-poetry-lateral-studio


December 4, Thursday, 5pm-7pm

MIT’s 66-110
“Making Computing Strange,” a forum with:
  Lev Manovich (Software Takes Command, The Language of New Media)
  Fox Harrell (Phantasmal Media)
  moderated by Nick Montfort
The forum will examine the ways in which computational models can be used in cultural contexts for everything from analyzing media to imagining new ways to represent ourselves.
http://web.mit.edu/comm-forum/forums/makingcomputing.html

A Koan

The disciple went to Minsky.

The disciple told him of his project, to develop a story generator with different components, a collaborative system that collaborated.

Minsky asked if a specific author was to be imitated.

No, the disciple said, the project seeks to do what only computers can do, to use computational power in new ways. And yet, the disciple admitted, the system models human creativity, techniques and processes that people use. Hesitantly, the disciple said, “it does seem contradictory…”

“You can do both,” said Minsky.

At that moment, the disciple was enlightened.

“Driverless” or “Self-Driving” Cars

So, I’m not saying they’re a bad idea, but why do these things get called “driverless” or “self-driving”? They are being driven by an immense corporation with the most massive store of data on Earth. They can’t function without this corporation or this store of data. They can’t drive themselves.

I dunno, maybe we should at least notice this sort of — hey! These cars are programmed to go up to 10 mph above the speed limit! Shiny!

(Prompted by Erik Stayton‘s great presentation of his thesis work on this topic yesterday. Erik works as my research assisstant in the Trope Tank.)

The Mutable Stanzas

Yesterday first-person-shooter Borges, intimate, infinite, and based on prose; today cut-up Spenser, mutable and poetic.

The Mutable Stanzas

This dynamic digital poetry piece, by Stephen Pentecost, is quite compelling. The author writes:

The Mutable Stanzas is a digital poetry installation and deformance experiment inspired by Raymond Queneau’s Cent Mille Milliards de Poèmes, by the work by Jerome McGann et al on “Deformance and Interpretation,” and by the work of my collegues in the Humanities Digital Workshop.

The Mutable Stanzas disassembles Edmund Spenser’s The Faerie Queene into its constituent lines, groups lines according to terminal rhyme, then randomly reassembles lines into new stanzas.

While the stanzas are structured by end rhyme, and each line is not independent of others, I wonder, as a reader, whether it’s best to avail myself of the pause button or whether I should simply continue reading down the page.

Computational Narrative and Games (Special Issue)

A special issue of IEEE Transactions on Computational Intelligence and AI in Games (TCIAIG) is now out — I mention it because I was one of the editors, and the issue deals with computational narrative and games.

Here’s the link to the computational narrative and games issue. It was edited by Ian Horswill, Nick Montfort and Michael Young. And here’s what is in it:

Guest Editorial
Horswill, I.D; Montfort, N; Young, R.M
p 92-96

Social Story Worlds With Comme il Faut
McCoy, J. ; Treanor, M. ; Samuel, B. ; Reed, A.A. ; Mateas, M. ; Wardrip-Fruin, N.

p 97-112

Versu—A Simulationist Storytelling System
Evans, R. ; Short, E.
p 113-130

A Computational Model of Narrative Generation for Surprise Arousal
Bae, B.-C. ; Young, R.M.
p 131-143

Automated Story Selection for Color Commentary in Sports
Lee, G. ; Bulitko, V. ; Ludvig, E.A.
p 144-155

Skald: Minstrel Reconstructed
Tearse, B. ; Mawhorter, P. ; Mateas, M. ; Wardrip-Fruin, N.
p 156-165

Designing User-Character Dialog in Interactive Narratives: An Exploratory Experiment
Endrass, B. ; Klimmt, C. ; Mehlmann, G. ; Andre, E. ; Roth, C.
p 166-173

Personalized Interactive Narratives via Sequential Recommendation of Plot Points
Yu, H. ; Riedl, M.O.
p 174-187

Lessons on Using Computationally Generated Influence for Shaping Narrative Experiences
Roberts, D.L. ; Isbell, C.L.
p 188-202

A Supervised Learning Framework for Modeling Director Agent Strategies in Educational Interactive Narrative
Lee, S.Y. ; Rowe, J.P. ; Mott, B.W. ; Lester, J.C.
p 203-214

Shall I Compare Thee to Another Story?—An Empirical Study of Analogy-Based Story Generation
Zhu, J. ; Ontanon, S.
p 216-227

Analysis of ReGEN as a Graph-Rewriting System for Quest Generation
Kybartas, B. ; Verbrugge, C.
p 228 – 241