A Trend in My Reading?

Friday 26 July 2013, 5:26 pm   //  
burials

Sometimes I examine the books I am reading and detect an unnerving trend.

These are only two books, though. I wouldn’t want to be … PREMATURE.

Neural has the Nerve for 10 PRINT

Tuesday 23 July 2013, 5:56 pm   ////  

10 PRINT CHR$(205.5+RND(1)); : GOTO 10 has been reviewed in Neural, an excellent long-running magazine, print and online that covers creative computing from digital art and music through hacktivism. The reviews in Neural (which is published in Italy, in Italian and English) are short and to the point; I’m pleased to see that they neuronally grasped the concept of 10 PRINT and appreciated the work that my collaborators and I did on it.

&NOW AWARDS 2

Monday 20 May 2013, 2:00 pm   /////  

Although the &NOW AWARDS 2: The Best Innovative Writing may appear at first to be an HTML character entity reference, it’s actually a new book. Arranged back-to-back like Chow Yun-Fat and Danny Lee in The Killer, it offers copious amounts (400 pages) of recent provocative writing in various genres. It’s published by Lake Forest College Press.

I’m delighted to have my work in the good company of that by many excellent writers, including J.R. Carpenter, Craig Dworkin, and Michael Leong. My contribution to the volume is just a page each of output from the Latin and Cyrillic versions of “Letterformed Terrain,” from Concrete Perl.

How to Buy Some of My Most Obscure Books

Thursday 7 March 2013, 2:06 pm   ////  

2002: A Palindrome Story

By Nick Montfort and William Gillespie. Illustrated by Shelley Jackson. Designed by Ingrid Ankerson. (24 pp., acknowledged by the Oulipo as the longest literary palindrome.) Spineless Books, 2002. $16.

The First M Numbers.

By Nick Montfort. Edition of 80. 4 pp. No Press, Calgary, Canada, 2013. $2.50.

In New York, Saint Mark’s Bookshop has copies of these two books for sale; in Cambridge, MA, they are available from the MIT Press Bookstore. 2002 is also available from the publisher, Spineless Books, and other online and local bookstores. I believe that No Press is out of copies of The First M Numbers.

Implementation: A Novel

By Nick Montfort and Scott Rettberg. (270 pp., a 4-color book documenting the 2004 project Implementation.) 2012. $77.95.

This book is only available for purchase directly from the printer, Blurb.

An Auto-Interview about All the Way for the Win

Wednesday 6 March 2013, 9:03 pm   ////  

Poet Michael Leong “tagged” me, not by spray-painting me or by assigning me a folksonomical string, but by sending me the following template of interview questions. This process is part of the project “The Next Big Thing,” in which people answer robotic, monomaniacal questions about recent or forthcoming books. I was supposed to post this on Wednesday, apparently, so it’s a good thing that I can set the date arbitrarily on my blog posts.

What is the working title of the book?
All the Way for the Win.

Where did the idea come from for the book?
Decades of intense poetic engagement with the English language.

What genre does your book fall under?
In terms of literary tradition, it’s an example of the sort of constrained writing that was pioneered by the Oulipo; in terms of the retail channel, it will end up in the poetry section if anywhere.

What actors would you choose to play the part of your characters in a movie rendition?
Mos Def, Zhu Zhu, Rex Lee, Won Bin, and (although I don’t think he’s a member of the SAG) Tan Lin.

What is the one sentence synopsis of your book?
A book written using only three-letter words.

How long did it take you to write the first draft of the manuscript?
I haven’t written anything close to a complete draft. I’ve only been working on the project seriously for about four years.

Who or what inspired you to write this book?
All the Way for the Win is 0% inspiration.

What else about your book might pique the reader’s interest?
The English langauge bursts with words brought to us by commerce and colonialism, is scarred by decades of wars and invasions, and both traces and propels our thinking as a culture. It is an urgent and important project to find principled, unusual subsets of this language and to make new works out of these, revealing qualities of our language through poetic practice. Readers of this book may also considerably improve their Scrabble play.

Will your book be self-published or represented by an agency?
No.

New 10 PRINT Story from the MIT Libraries

Thursday 10 January 2013, 11:43 am   /////  

The MIT Libraries have posted a story on 10 PRINT that includes discussion of the book from Patsy Baudoin and me, describes how the project came amount, and gives the latest information on how royalties are being donated. The story was written by Katharine Dunn.

10 PRINT Marches on

Monday 7 January 2013, 11:34 pm   //////  

The news service of my school at MIT, the School of Humanities, Arts, and Social Sciences, has an article about 10 PRINT CHR$(205.5+RND(1)); : GOTO 10.

Also, there has been some furious and pretty amazing program creation and compaction going on in DOS/x86 land. It all seems to have started when demoscener Trixter (a.k.a. Jim Leonard) decided to port 10 PRINT to x86 assembly. His first, straightforward version was 42 bytes long, but he was quickly able to chop it down by replacing the random number generator with a single instruction: 25 bytes. Getting ready of some of the nice and tidy but strictly unnecessary startup and shutdown code brought the program down to 15 bytes. Then, thanks to the clever use of an opcode that I’d never heard of before which is meant for string comparison and is called SCAS, he was able to trim the code to 13 bytes — the shortest he thought it could ever be.

Of course, someone (Peter Ferrie) found a way to get rid of another byte, so the program sat at 12 bytes long.

herm1t came along to provide an optimization that assumed DOS was loaded, reducing the program to 11 bytes.

And, most recently, Peter Ferrie returned to lop off another byte, showing that the program (on Intel CPUs, at least) need only be 10 bytes long.

Trixter provides the full story (so far!) on his blog, Oldskooler Ramblings.

My joke about this is that the shortest possible 10-PRINT-like program will be a single jmp instruction to a run of 8 or 9 bytes that happen to already be in memory. However, this is probably only a joke: the number of possible 8-byte combinations of bits are 256^8 = 18446744073709551616, so it really isn’t very likely, even for an extremely short program of this sort, that it will just happen to be lying around somewhere in memory initially.

Speaking of the demoscene, I mentioned in my last post that viznut has checked out the book. He’s also written a very nice VIC-20 version of the program that uses two of the tiles from the Black Path Game instead of the original diagonal lines:

0 FORI=7168TO7183:READA:POKEI,A:NEXT:POKE36869,255
1 PRINTCHR$(64.5+RND(.));:GOTO1
2 DATA16,16,32,192,3,4,8,8,8,8,4,3,192,32,16,16

The result:

VIC-20 Black Path Game version of 10 PRINT

Finally, we had a great time exhibiting the 10 PRINT program and the 10 PRINT book at the 2013 MLA’s electronic literature exhibit and presenting the program and modifications of it at the MLA offsite electronic literature reading. Thanks to Dene Grigar and Kathi Inman Berens for curating the exhibit and the reading. And, thanks to Patsy Baudoin, Mark C. Marino, and Mark Sample for joining me for that presentation and for offering commentary (play-by-play and color) as I coded on the Commodore 64.

Radical Books of 2012 (7/7)

Monday 7 January 2013, 1:30 pm   //////  
Book from the Ground

Keyhole Factory
William Gillespie

Soft Skull Press · 368 pages

William, congratulations to you – and Soft Skull Press – on the new, big publication of Keyhole Factory, which some might think is your first novel. Actually, your intensity of writing would humiliate Roberto Bolaño. You have at least eight books (some pseudonymous, some collaborative) available via your press Spineless Books, which publishes other people’s work as well. You share a quality with George Perec in that you are a graphophile, and you share another quality with him in that you are an incredible writer, imaginative on all levels, as you demonstrate in Keyhole Factory. It’s great that Jeff Clark designed the cover. I think I see why he used the picture of the monkeys. They’re voyeuristic subjects; we’re watching them as if through a keyhole. That one in the middle looks back, making us nervous. If they were people they’d be eating lunch or making love or watching TV or something, and we’d fixate on that. But they’re monkeys, so we just notice that one of them is watching us. You think?

Radical Books of 2012 (6/7)

Sunday 6 January 2013, 4:50 pm   /////  
Book from the Ground

· → → ·
Book from the Ground
Xu Bing

120 pages

The dot of unconsciousness opens – and then winks out again. The book, one point in a project that Xu Bing has undertaken since 2003, is written entirely as a series of symbols, narrating a daily odyssey (or perhaps a Ulysses) that is read left-to-right and from top to bottom but almost entirely without the use of words or letters – they only appear as part of logos and the like. Symbols derived from Neurath’s Isotype system, which led to today’s airport signs, are used alongside emoticons and computer icons to describe the workplace experiences, fraternal beverage consumption, dating, and insomniac video game play of a rather harried, forgetful, busy, and not particularly productive generic man who lives in a city located on [globe icon]. By borrwing a bit from comic conventions within this typographical framework, not only actions but also thoughts and the topics of discussions are depcited (to me, at least) legibly.

Radical Books of 2012 (5/7)

Saturday 5 January 2013, 3:15 pm   //////  
Cutting Time with a Knife

Cutting Time with a Knife
Michael Leong

Black Square Editions · 124 pages

When randomness is employed in poetics and succeeds, it is because of how it plays within regularity of different sorts. This book sutures the two very well. Concrete elemental sqaures sit at the top of each page, containing irregularly arranged phrases of regular syntax (“The [buttock] of the poet is the [geodesic dome] of [Rhodium].”) The text and sometimes symbols underneath read like a Google Books snippet view. Leong constructed this book “by etherizing T.S. Eliot’s classic essay,” “Tradition and the Individual Talent,” upon the periodic table. The cyborg text, animated with galvanic force, is made from cut-ups of this essay and the Wikipedia articles for the 118 elements. The periodic table has offered a rich lattice for poetic production, digital and otherwise; here, the unique twist was provided by the amalgamation of this tabular framework with an (ostensibly random) avant-garde writing technique, a classic essay on how individuality relates to commonality and a collaboratively-authored encyclopedia.

Radical Books of 2012 (4/7)

Friday 4 January 2013, 1:30 pm   //////  
I'll Drown My Book

I’ll Drown My Book: Conceptual Writing by Women
Edited by Caroline Bergvall, Laynie Browne, Teresa Carmody, and Vanessa Place

Les Figues · 455 pages

Community Reviews (showing 1-30 of 96) filter | sort: default (?) | rating details

Nov 19, 2012 Mark Noack rated it ***** review of another edition
a fantastic book. as an overview/introduction to current post-modern writing, the most interesting anthology i have read to date. while some of these writers might not have made the “cut” for the Goldsmith/Dworkin anthology, possibly due in part to their work being too “baroque” (in Vanessa Place’s terms); this is my preference. while i find conceptual/experimental writing interesting, much of what has been done suffers the danger of becoming automatic/generated/stenography. while the dadaist ar…more
like · see review

Oct 17, 2012 Sigrun Hodne marked it as to-read
A perfect gift from dear a friend! Looking forward to diving into it!
like · see review

Oct 26, 2012 Erin Lyndal added it
This wasn’t my cup of tea, so I didn’t finish. Bummer because I was really psyched about it.
like · see review

Dec 08, 2012 Janey Smith added it
My review of I’ll Drown My Book

Radical Books of 2012 (3/7)

Thursday 3 January 2013, 1:30 pm   ///////  
Rise of the Videogame Zinesters

Rise of the Videogame Zinesters: How Freaks, Normals, Amateurs, Artists, Dreamers, Drop-outs, Queers, Housewives, and People Like You Are Taking Back an Art Form
Anna Anthropy

Seven Stories Press · 208 pages

The discussion of mainstream gaming in this book, while it isn’t exactly generous, covers both what is produced and the labor issues of how it is produced. The book’s DIY instructions point readers to tools and sketch the simplest sorts of development processes. (Such pointers may be what a book does best, as there is plenty of relevant information online.) What makes this book valuable and radical (other than the conceptual writing exercise cataloging game topics on pp. 137-139) is the amazing world it presupposes in which Halo and Bioshock can go unmentioned while there are pages about Anthropy’s Gay Sniper. Unofficial games made by individuals are shown to be part of culture and the politial and social discourse. Beyond newsgame and artgame, although not detached from some of their tactics, are many short experiments, games about “putting down your dog” that speak to everyday experience. Games that say what you want them to say and not games that say what someone else wants you to say.

Radical Books of 2012 (2/7)

Wednesday 2 January 2013, 1:30 pm   ////////  
How It Is in Common Tongues

How It Is in Common Tongues
Cited from the Commons of digitally inscribed writing by John Cayley & Daniel C. Howe

NLLF [Natural Language Liberation Front] · 296 pages

Some seek diamonds in the rough on the Web; others mine from this lode of language mud and darkness. This profound document was fashioned with snippets of pages, with the search engine, and with the novel first publised as Comment c’est – using all of them quite perversely. Samuel Beckett’s 1964 How It Is describes a person moving and not moving through the mud, alone, not alone, and then once more alone. Cayley and Howe, bending the service known as Google to their literary purposes, have located every phrase of the novel on Web pages where no reference to Beckett is made. For instance, the first words, “how it was I quote,” are found in a New York Times excerpt from Elie Wiesel’s And The Sea is Never Full. The phrase is provided, the URL is given in a footnote … and the same is done for every other phrase in How It Is. The result is an edition of Beckett’s book made of text that was literally found on the Web. The only thing funnier will be the Beckett Estate’s response.

10 PRINT “HAPPY NEW YEAR”

Wednesday 2 January 2013, 12:00 am   ///////  

Happy new year!

A few updates related to our book 10 PRINT CHR$(205.5+RND(1)); : GOTO 10

Booksellers had some problems keeping the book in stock in recent weeks. The MIT Press is addressing this by printing more copies.

We learned in November, and were recently reminded by Finnish scener and programmer of one-liners viznut, that there is a pre-Commodore 64 version of the program. It’s in a fairly obvious place, too: The VIC-20 User’s Manual, on page 102. The program is identical to the first variant in our book (Variant 1982) except that the line numbers are 10, 20, and 30 instead of 10, 20, and 40. This wasn’t a big surprise to us, as we knew since early in the process of writing the book that the program worked not only on the Commodore 64 but also on the VIC-20 and the PET. It would have been nice to have documented this variant in the book, of course.

mjcohenw on Hacker News states that the program originated even earlier:

I discovered this on my Commodore PET probably about 1980 and presented it at a users’ group meeting (in the Los Angeles area). I have no way to prove this right now, but I swear that this is true.

So, there’s a testament to the program being written and shared on the PET even earlier. That it comes from human memory, and not from some print source, should be no surprise to readers of 10 PRINT.

Finally, I’ll note that 10 PRINT appears as one of the “creation stations” at the 2013 Modern Langauge Association Convention. The exhibit it’s in, Avenues of Access: An Exhibit & Online Archive of New ‘Born Digital’ Literature, will be in room 312 in the Hynes Veterans Memorial Convention Center. Exhibit times are:

Thursday, 3 January, 12 Noon to 7:00 p.m.
Friday, 4 January, 9:00 a.m. to 7:00 p.m.
Saturday, 5 January, 9:00 a.m. to 7:00 p.m.

The exhibit closes on Saturday afternoon and will not be open on Sunday.

There will be a reading to accompany the exhibit on Friday night, 8 p.m. to 10 p.m., at Emerson College’s Bordy Theatre, 216 Tremont Street. 10 PRINT will be part of that and will be presented by five of the book’s co-authors.

Radical Books of 2012 (1/7)

Tuesday 1 January 2013, 1:30 pm   ///////  
The Oregon Trail is the Oregon Trail

The Oregon Trail is the Oregon Trail
Gregory Sherl

Mud Lucious Press · 65 pages

Consciousness wobbles between the “real world” of Barry Manilow concerts, streetscapes that look like Frogger, and private Facebook messages on the one hand and a fabled simulation bleeding beyond the phosphors of the computer-connected CRT television on the other. Amid tender moments featuring the wife, child #1, and child #2, these poems also offer reminders of the political context in which Westward expansion was undertaken. “The Oregon Trail 2 Starring Mel Gibson Directed by Mel Gibson” notes, for instance, “We have Manifest Destiny in our cocks.” This book about the American journey, not the destination, may appear to be a nostalgic romp. (Perhaps the book’s dedication, “FOR YOUTH,” and the theme of adult responsibilities invites such an attitude.) There is no home to ache over, though, in these 39 poems that join intimate imagination to a famous if floppy American document, showing that however personal or national memory flows past, in whatsoever form, you can’t ford the same river twice.

Farking, Processing, and 10 PRINT

Sunday 2 December 2012, 12:25 am   /////  

The book 10 PRINT CHR$(205.5+RND(1)); : GOTO 10 (and the program) have been discussed as “cool” on Fark. (I was hoping for a Photoshop contest with the program’s output, but this is nice, too…)

One of my co-authors, Casey Reas, has issued a 10 PRINT design challenge to the Processing community. There’s already been one program written in reply.

Slashdot Examines Slash, Backslash of 10 PRINT

Saturday 1 December 2012, 3:20 pm   ////  

Slashdot is on the case of 10 PRINT, too, with the usual diagonal PETSCII lines as well as slashes and backslashes. The Slate review and the code are the main topics of discussion so far, but perhaps some are also beginning to dig into the book or PDF.

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